Age: 29
female
Chloë Grace Moretz is an American actress. She began acting as a child, with early roles in the supernatural horror film The Amityville Horror (2005), the drama series Desperate Housewives (2006–07), the supernatural horror film The Eye (2008), the drama film The Poker House (2008), the drama series Dirty Sexy Money (2007–08), the romantic comedy film 500 Days of Summer (2009) and the children's comedy film Diary of a Wimpy Kid (2010). Her breakthrough came in 2010 with her critically acclaimed performances as Hit-Girl in the superhero film Kick-Ass and as a child vampire in the horror film Let Me In. Moretz starred in Martin Scorsese's historical adventure film Hugo (2011), Tim Burton's horror comedy film Dark Shadows (2012), the satirical sitcom 30 Rock (2011-2013), reprised her role as Hit-Girl in Kick-Ass 2 (2013) and portrayed Carrie White in the supernatural horror film Carrie (2013). In 2014, Moretz starred in the award-winning drama film Clouds of Sils Maria (2014), the teen romantic drama If I Stay (2014) and the vigilante action film The Equalizer (2014). She also starred in the mystery thriller film Dark Places (2015), the science fiction action film The 5th Wave (2016) and the comedy film Neighbors 2: Sorority Rising (2016). In 2016, Moretz announced she was "re-assessing" her choice of roles and was dropping out of several projects, including Universal Studios' live-action adaptation of The Little Mermaid. Moretz's following roles include the drama film The Miseducation of Cameron Post (2018), Neil Jordan's drama thriller film Greta (2018), the action horror film Shadow in the Cloud (2020) and the science fiction film Mother/Android (2021). She voiced Wednesday Addams in The Addams Family (2019) and The Addams Family 2 (2021). Moretz's stage work includes her starring role in the original off-Broadway production of The Library (2014) at The Public Theater in New York City.
1967. Jack Hart, a young, wandering musician, travels the American backroads with nothing but his guitar and his best friend, Theo Ramires, a bassist with a sharp wit but a big heart. They play tiny bars, diners, and roadside venues — barely scraping by, but living freely. Jack dreams of something bigger; where Theo is very content. At a smoky bar, a frequent for Jack and Theo, run by the warm‑hearted Jim Hardy, Jack meets Allison “Allie” Pond, a drifting soul recovering from heartbreak and searching for purpose. She’s empathetic, funny, and a little lost — someone who tends to fall into other people’s dreams instead of chasing her own. She joins the boys on the road, and the three form a makeshift family. Their chemistry is electric. Their music grows richer. Jack and Allie fall deeply in love. But everything changes when Dan Cole, a once‑failed musician turned talent scout, hears Jack perform. Dan sees potential — and dollar signs. He introduces Jack to Evelyn Stone, a razor‑sharp record executive who prioritizes profit over people. She promises Jack the world, and he takes it. Suddenly Jack is swept into a whirlwind of fame: studio sessions, interviews, image makeovers, endless touring. Theo is pushed aside. Allie is left behind. Jack becomes the star he always dreamed of being — but at the cost of the people who made him whole. Allie returns home to her older sister Amelia, who loves her fiercely but never understood her wandering. Amelia’s partner, Victor Harwell, is kind and grounded — a picture of the stable life Allie could choose. With them, Allie confronts the question she’s avoided for years: Does she want a life on the road, or a life with roots? Meanwhile, Jack spirals. The industry reshapes him into something unrecognizable. Critics who once mocked him — like the fickle Colin Cornely — now praise him. But the applause feels hollow. He’s lost Theo. He’s lost Allie. He’s lost himself. When Jack finally breaks under the pressure, he returns to Jim Hardy’s bar — the place where it all began. Jim, with his quiet wisdom, tells Jack the truth he’s been running from: Dreams mean nothing if you lose the people who believed in you before you believed in yourself. Jack sets out to find Allie. Their reunion isn’t easy. Allie has grown. She’s learned to stand up for what she wants — and what she won’t sacrifice. Jack apologizes, not with promises, but with honesty. He doesn’t ask her to follow him again. He asks if they can build something together. Years later, in the film’s final scene, we see Jack and Allie in a sunlit yard, playing with their young daughter, Piper Hart. Theo visits, bass in hand, ready to jam. The music begins again — not for fame, but for joy.
