Age: 19
female
Mckenna Grace (born June 25, 2006) is an American actress and singer. Born in Grapevine, Texas, she began acting professionally at age five and relocated to Los Angeles, California, as a child. Her earliest roles included Jasmine Bernstein in the Disney XD sitcom Crash & Bernstein (2012–2014) and Faith Newman in the soap opera The Young and the Restless (2013–2015). After several small roles, she starred as a child prodigy in Gifted (2017), a breakthrough for which she received a nomination for the Critics' Choice Movie Award for Best Young Performer. Grace subsequently appeared in the films I, Tonya (2017), Troop Zero (2019), and Captain Marvel (2019). During this time, she appeared in several horror projects, including The Bad Seed (2018), The Haunting of Hill House (2018), and Annabelle Comes Home (2019). For playing the abused teenager Esther Keyes in The Handmaid's Tale (2021–2022), Grace was nominated for the Primetime Emmy Award for Outstanding Guest Actress in a Drama Series, making her the first child recognized for a guest acting Emmy. She appeared in the supernatural comedy films Ghostbusters: Afterlife (2021) and Ghostbusters: Frozen Empire (2024) as Phoebe Spengler, receiving critical praise and a Critics' Choice Super Award nomination. In 2022, Grace wrote, executive produced, and starred in The Bad Seed Returns, and portrayed Jan Broberg in A Friend of the Family. After signing with Photo Finish Records in 2020, Grace released her debut single, "Haunted House", in 2021, as part of the Ghostbusters: Afterlife soundtrack. She released two extended plays in 2023: Bittersweet 16 and Autumn Leaves, which explored pop rock and folk sounds, respectively. Description above from the Wikipedia article Mckenna Grace, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Seventeen-year-old Kristina Snow is introduced to crank on a trip to visit her wayward father. Caught up in a fast-paced, frightening, and unfamiliar world, she morphs into "Bree" after she "shakes hands with the monster." Her fearless, risk-taking alter ego grows stronger, "convincing me to be someone I never dreamed I'd want to be." When Kristina goes home, things don't return to normal. Although she tries to reconnect with her mother and her former life as a good student, her drug use soon takes over, leaving her "starving for speed" and for boys who will soon leave her scarred and pregnant. Hopkins writes in free-verse poems that paint painfully sharp images of Kristina/Bree and those around her, detailing how powerful the "monster" can be. The poems are masterpieces of word, shape, and pacing, compelling readers on to the next chapter in Kristina's spiraling world. This is a topical page-turner and a stunning portrayal of a teen's loss of direction and realistically uncertain future.
