Age: 63
male
Ralph Nathaniel Twisleton-Wykeham-Fiennes (born 22 December 1962) is an British-American actor, film producer, and director. He has received various accolades, including a British Academy Film Award and a Tony Award, as well as nominations for three Academy Awards, seven Golden Globe Awards, and a Primetime Emmy Award. Born in Ipswich, Suffolk, Fiennes was trained at and graduated from the Royal Academy of Dramatic Art in 1985. A Shakespeare interpreter, he excelled onstage at the Royal National Theatre before succeeding at the Royal Shakespeare Company. In 1995, Fiennes made his Broadway debut playing Prince Hamlet in the revival of the William Shakespeare play Hamlet, for which he won the Tony Award for Best Actor in a Play. He was later Tony-nominated for his role as a travelling faith healer in the Brian Friel play Faith Healer (2006). Fiennes made his film debut playing Heathcliff in Emily Brontë's Wuthering Heights (1992). He has earned three Academy Award nominations for his performances in the films Schindler's List (1993), The English Patient (1996), and Conclave (2024). He has also acted in Quiz Show (1994), Maid in Manhattan (2002), The Constant Gardener (2005), In Bruges (2008), The Reader (2008), The Duchess (2008), The Hurt Locker (2009), The Grand Budapest Hotel (2014), A Bigger Splash (2015), Hail, Caesar! (2016), and The Menu (2022). Fiennes gained wider recognition for playing Lord Voldemort in the Harry Potter film series (2005–2011) and Gareth Mallory / M in the James Bond films (2012–2021); and has voiced roles in the animated films The Prince of Egypt (1998), Wallace & Gromit: The Curse of the Were-Rabbit (2005), Kubo and the Two Strings (2016), and The Lego Batman Movie (2017). He directed and starred in the films Coriolanus (2011) and The Invisible Woman (2013). Aside from acting, Fiennes has been an ambassador for UNICEF UK since 1999.
Ralph Fiennes
General Bonesapart
for General Bonesapart in Corpse Bride
Suggested by nickienicks
This live-action remake of Corpse Bride, directed by Guillermo del Toro, reimagines the stop-motion classic as a breathtakingly macabre, practical-effects-heavy gothic fairy tale (Guillermo del Toro). The film masterfully splits its visual identity into two contrasting worlds. The Land of the Living is a rigid, suffocating Victorian town rendered in an ultra-matte, bloodless color palette of chalky white skin tones, charcoal tailcoats, and suffocating, high-collared gowns that mirror the social desperation of the nouveau-riche Van Dorts and the icy, aristocratic decay of the Everglots. Here, the repressed, melancholic Victor (Connor Storrie) accidentally binds himself to the afterlife during a botched rehearsal when he places a wedding band onto what he believes is a gnarled tree branch.In stark contrast, the Land of the Dead explodes onto the screen in a vibrant, bioluminescent spectacle. Bathed in a stark green cinematic glow, the underworld is a chaotic cabaret of hyper-realistic skeletal prosthetics and eccentric, larger-than-life characters. Olivia Rodrigo delivers a tragic, magnetic performance as Emily, the Corpse Bride, cascading in vibrant turquoise locks and a tattered, water-logged wedding gown. This world thrives on theatrical dark comedy, populated by a jazz-club big band led by the bare-boned Bonejangles (Sterling K. Brown) belting out brassy anthems, alongside a miniature, dueling military duo composed of a bombastic royal blue General Bonesapart (Ralph Fiennes) and a comically slow-witted, red-coated General Wellington (Gary Oldman). Driven by Jane Goldman’s sharp, emotionally sincere screenplay and Danny Elfman’s indispensable, whimsical score, the film evolves from a spooky comedy of errors into a visually stunning, bittersweet romance. It balances the suffocating prisons of high-society greed against the joyful, liberated chaos of the underworld, culminating in a spectacular, heartbreaking sacrifice.
