
Age: 58
male
Faizon Andre Love (born Langston Faizon Santisima; June 14, 1968) is an American actor and comedian. He is best known for his roles in the comedy films The Meteor Man, Don't Be a Menace, Friday, B*A*P*S, Elf, The Replacements, Made, Mr Bones, and Couples Retreat, as well as the voice of Sean "Sweet" Johnson in the video game Grand Theft Auto: San Andreas and his role as Wendell Wilcox on The Parent 'Hood. He got his start as a stand-up comedian and made his acting debut Off-Broadway at the age of nineteen. His motion picture debut, Bebe's Kids had him providing the voice of late comedian Robin Harris. He then had a role in The Meteor Man starring Robert Townsend. Townsend then cast Love in a co-starring role on his sitcom The Parent 'Hood. He followed up this role with a breakout performance as the drug dealer Big Worm in the 1995 film Friday. Follow-up films have included Elf, Don't Be a Menace to South Central While Drinking Your Juice in the Hood, Money Talks, Wonderland, The Fighting Temptations, and Idlewild. Love gained wider appeal when he co-starred in the 2009 film, Couples Retreat, a comedy chronicling four couples who partake in therapy sessions at a tropical island resort. His most recent role is that of Kurtis Kool in 2011’s Big Mommas: Like Father, Like Son. Many gamers may also know him for his role as Sean "Sweet" Johnson, simply known as Sweet, in the Rockstar North game Grand Theft Auto: San Andreas.

Coonskin is a 1975 American adult animated satirical crime film written and directed by Ralph Bakshi. The film references the Uncle Remus folk tales and satirizes the blaxploitation film genre as well as Disney's racially controversial film Song of the South, also adapted from the Uncle Remus folk tales. The film's narrative concerns three anthropomorphic Uncle Remus characters, Br'er Rabbit (referred to as Brother Rabbit), Br'er Fox (referred to as Preacher Fox), and Br'er Bear (referred to as Brother Bear). They rise to the top of the organized crime racket in Harlem, encountering corrupt law enforcement, con artists, and the Mafia, in a satire of both racism within the Hollywood film system, and America itself. Originally produced under the titles Harlem Nights and Coonskin No More... at Paramount Pictures, Coonskin encountered controversy before its original theatrical release when the Congress of Racial Equality accused the film of being racist. When the film was released, Bryanston gave it limited distribution and it initially received mixed reviews. Later re-released under the titles Bustin' Out and Street Fight, Coonskin has since been re-appraised, recontextualizing the film as the condemnation of racism that the director intended, rather than a product of a racist imagination, as its detractors had claimed.

