Age: 39
male
Yahya Abdul-Mateen II (/ˈjɑːhiə/; born July 15, 1986) is an American actor. He is best known for his roles as Black Manta in the superhero films Aquaman (2018) and Aquaman and the Lost Kingdom (2023), Bobby Seale in the Netflix historical legal drama The Trial of the Chicago 7 (2020), and Morpheus / Agent Smith in The Matrix Resurrections (2021). For his portrayal of Cal Abar / Doctor Manhattan in the HBO limited series Watchmen (2019), he won a Primetime Emmy Award. He also starred in episodes of The Handmaid's Tale (2018) and Black Mirror (2019). He made his Broadway debut in the Suzan-Lori Parks play Topdog/Underdog, for which he received a Tony Award for Best Leading Actor in a Play nomination. He portrays the Marvel Comics character Simon Williams / Wonder Man in media set in the Marvel Cinematic Universe. Description above from the Wikipedia article Yahya Abdul-Mateen II, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Coonskin is a 1975 American adult animated satirical crime film written and directed by Ralph Bakshi. The film references the Uncle Remus folk tales and satirizes the blaxploitation film genre as well as Disney's racially controversial film Song of the South, also adapted from the Uncle Remus folk tales. The film's narrative concerns three anthropomorphic Uncle Remus characters, Br'er Rabbit (referred to as Brother Rabbit), Br'er Fox (referred to as Preacher Fox), and Br'er Bear (referred to as Brother Bear). They rise to the top of the organized crime racket in Harlem, encountering corrupt law enforcement, con artists, and the Mafia, in a satire of both racism within the Hollywood film system, and America itself. Originally produced under the titles Harlem Nights and Coonskin No More... at Paramount Pictures, Coonskin encountered controversy before its original theatrical release when the Congress of Racial Equality accused the film of being racist. When the film was released, Bryanston gave it limited distribution and it initially received mixed reviews. Later re-released under the titles Bustin' Out and Street Fight, Coonskin has since been re-appraised, recontextualizing the film as the condemnation of racism that the director intended, rather than a product of a racist imagination, as its detractors had claimed.
