
Age: 79
male
Danny Lebern Glover (born July 22, 1946) is an American actor, film director, and political activist. He is best known for his co-starring lead role as Sergeant Roger Murtaugh in the Lethal Weapon film series. Glover has had a variety of film, stage, and television roles. He starred as the husband to Whoopi Goldberg's character, Celie in the celebrated literary adaptation of The Color Purple, and as Lieutenant James McFee in the film Witness. He had leading roles in other films including To Sleep with Anger, Predator 2, Angels in the Outfield, and Operation Dumbo Drop. He won the Independent Spirit Award for Best Male Lead for his starring role in Charles Burnett's To Sleep with Anger. Also, he has had prominent supporting roles in Silverado, Witness, A Rage in Harlem, Dreamgirls, Shooter, Death at a Funeral, Beyond the Lights, Sorry to Bother You, The Last Black Man in San Francisco, The Dead Don't Die, Lonesome Dove and Jumanji: The Next Level. Glover earned top billing for the first time in Predator 2, the sequel to the science fiction action film Predator. During his career, he has also made several cameos, appearing, for example, in the Michael Jackson video "Liberian Girl" of 1987. In 1994, he made his directorial debut with the Showtime channel short film Override. Also in 1994, Glover and actor Ben Guillory founded the Robey Theatre Company in Los Angeles, focusing on theatre by and about black people.

Coonskin is a 1975 American adult animated satirical crime film written and directed by Ralph Bakshi. The film references the Uncle Remus folk tales and satirizes the blaxploitation film genre as well as Disney's racially controversial film Song of the South, also adapted from the Uncle Remus folk tales. The film's narrative concerns three anthropomorphic Uncle Remus characters, Br'er Rabbit (referred to as Brother Rabbit), Br'er Fox (referred to as Preacher Fox), and Br'er Bear (referred to as Brother Bear). They rise to the top of the organized crime racket in Harlem, encountering corrupt law enforcement, con artists, and the Mafia, in a satire of both racism within the Hollywood film system, and America itself. Originally produced under the titles Harlem Nights and Coonskin No More... at Paramount Pictures, Coonskin encountered controversy before its original theatrical release when the Congress of Racial Equality accused the film of being racist. When the film was released, Bryanston gave it limited distribution and it initially received mixed reviews. Later re-released under the titles Bustin' Out and Street Fight, Coonskin has since been re-appraised, recontextualizing the film as the condemnation of racism that the director intended, rather than a product of a racist imagination, as its detractors had claimed.


