Age: 49
male
Andrew Scott (born 21 October 1976) is an Irish actor. Known for his roles on stage and screen, his accolades include a British Academy Television Award, Silver Bear Berlin International Film Festival, and two Laurence Olivier Awards, along with nominations for three Primetime Emmy Awards and three Golden Globe Awards. Scott first came to prominence portraying James Moriarty in the BBC series Sherlock (2010–2017), for which he won the BAFTA Television Award for Best Supporting Actor. His role as the priest in the second series of Fleabag (2019) garnered him wider recognition. It earned him the Critics' Choice Television Award for Best Supporting Actor in a Comedy Series. He is also known for his roles in the films Pride (2014), Spectre (2015), and 1917 (2019). He was nominated for a Golden Globe Award for Best Actor for his starring role in the romantic drama film All of Us Strangers (2023). In 2024, he starred as Tom Ripley in the thriller series Ripley, for which he received Golden Globe and Primetime Emmy Award nominations as well as a Peabody Award. On stage, Scott played the lead role of Garry Essendine in a 2019 production of Present Laughter at The Old Vic, for which he won the Laurence Olivier Award for Best Actor. He also won the Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre in 2005 for his role in A Girl in a Car with a Man at the Royal Court Theatre.
Frances is twenty-one years old, cool-headed, and darkly observant. A college student and aspiring writer, she devotes herself to a life of the mind--and to the beautiful and endlessly self-possessed Bobbi, her best friend and comrade-in-arms. Lovers at school, the two young women now perform spoken-word poetry together in Dublin, where a journalist named Melissa spots their potential. Drawn into Melissa's orbit, Frances is reluctantly impressed by the older woman's sophisticated home and tall, handsome husband. Private property, Frances believes, is a cultural evil--and Nick, a bored actor who never quite lived up to his potential, looks like patriarchy made flesh. But however amusing their flirtation seems at first, it gives way to a strange intimacy neither of them expect. As Frances tries to keep her life in check, her relationships increasingly resist her control: with Nick, with her difficult and unhappy father, and finally even with Bobbi. Desperate to reconcile herself to the desires and vulnerabilities of her body, Frances's intellectual certainties begin to yield to something new: a painful and disorienting way of living from moment to moment.
