Age: 46
female
Caitríona Mary Balfe (/kəˈtriːnə ˈbælf/; born 4 October 1979) is an Irish actress, producer, and former fashion model. She is best known for her starring role as Claire Fraser in the Starz historical drama series Outlander, for which she received a British Academy Scotland Award, an Irish Film and Television Award, two People's Choice Awards, and three Saturn Awards. She also earned nominations for two Critics' Choice Television Awards and four Golden Globe Awards for Best Actress in a Television Series – Drama. At age eighteen, while studying Drama at the Dublin Institute of Technology, Balfe was offered work as a fashion model in Paris. She was featured both in advertising campaigns and on runways for such brands as Chanel, Dolce & Gabbana, Roberto Cavalli, Alexander McQueen, Balenciaga, Givenchy, Marc Jacobs, Bottega Veneta, Oscar de la Renta and many others over ten years before refocusing on acting. She had leading roles in the web series The Beauty Inside (2012) and H+: The Digital Series (2012–2013), and appeared in the films Super 8 (2011), Now You See Me (2013), Escape Plan (2013), Money Monster (2016), Ford v Ferrari (2019), and Belfast (2021). Description above from the Wikipedia article Caitríona Balfe, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Caitríona Balfe
Melissa
for Melissa in Conversation With Friends
Suggested by gabrielasantolive
Frances is twenty-one years old, cool-headed, and darkly observant. A college student and aspiring writer, she devotes herself to a life of the mind--and to the beautiful and endlessly self-possessed Bobbi, her best friend and comrade-in-arms. Lovers at school, the two young women now perform spoken-word poetry together in Dublin, where a journalist named Melissa spots their potential. Drawn into Melissa's orbit, Frances is reluctantly impressed by the older woman's sophisticated home and tall, handsome husband. Private property, Frances believes, is a cultural evil--and Nick, a bored actor who never quite lived up to his potential, looks like patriarchy made flesh. But however amusing their flirtation seems at first, it gives way to a strange intimacy neither of them expect. As Frances tries to keep her life in check, her relationships increasingly resist her control: with Nick, with her difficult and unhappy father, and finally even with Bobbi. Desperate to reconcile herself to the desires and vulnerabilities of her body, Frances's intellectual certainties begin to yield to something new: a painful and disorienting way of living from moment to moment.
