
Age: 73
male
Philip Andre "Mickey" Rourke Jr. (born September 16, 1952) is an American actor and former boxer who has appeared primarily as a leading man in drama, action, and thriller films. During the star of the 1980s, Rourke played supporting roles in films like Body Heat (1981) and Diner (1982), before portraying leading roles in films like The Motorcycle Boy in Rumble Fish (1983), Charlie Moran in The Pope of Greenwich Village (1984), Captain Stanley White in Year of the Dragon and John Gray in 9½ Weeks (1986). He received critical praise for his work in the Charles Bukowski biopic Barfly and the horror mystery Angel Heart (both 1987). In 1991, following a string of critical and commercial failures, Rourke—who trained as a boxer in his early years—left acting and became a professional boxer for a time. After retiring from boxing in 1994, Rourke returned to acting and had supporting roles in several films such as The Rainmaker (1997), Buffalo '66 (1998), Animal Factory, Get Carter (both 2000), The Pledge (2001), Once Upon a Time in Mexico (2003), Man on Fire (2004) and Domino (2005). In 2005, Rourke made a comeback in mainstream Hollywood circles with a lead role in the neo-noir action thriller Sin City, for which he won awards from the Chicago Film Critics Association, the Irish Film and Television Awards, and the Online Film Critics Society. This comeback culminated in his portraying aging wrestler Randy 'The Ram' Robinson in the sports drama film The Wrestler (2008). For the role, Rourke won the Golden Globe Award and BAFTA Award for Best Actor, and received a nomination for the Academy Award for Best Actor. After this, Rourke appeared in several commercially successful films; Iron Man 2, The Expendables (both 2010) and Immortals (2011), before primarily going on to work in independent and direct-to-video productions.

When associate attorney Kara Hayes wakes up in a hospital bed on Saturday night, the last thing she wants to hear from detectives is that she’s possibly a victim of assault. That, and they think she's a prostitute. All Kara knows is that she's not a victim. She pushes the very notion away into a mental box with all her other bad memories that she doesn’t care to entertain. Only, this dark memory that she doesn’t recall won’t let her be. When she’s put on a high-profile case with one of the named partners at her firm, their opposing counsel throws her life off-balance. He looks at Kara like he knows a dirty secret and she doesn’t understand why. That is, until he corners her in a bar alone later that night and tries to buy her silence with a smirk on his perfect face. This is not a love story. Kara doesn’t believe in love and a man like Nicholas Havenwood-Calais is the worst sort of self-harm she can imagine. What he wants is far worse.
