
Age: 49
male
Andrew Scott (born 21 October 1976) is an Irish actor. Known for his roles on stage and screen, his accolades include a British Academy Television Award, Silver Bear Berlin International Film Festival, and two Laurence Olivier Awards, along with nominations for three Primetime Emmy Awards and three Golden Globe Awards. Scott first came to prominence portraying James Moriarty in the BBC series Sherlock (2010–2017), for which he won the BAFTA Television Award for Best Supporting Actor. His role as the priest in the second series of Fleabag (2019) garnered him wider recognition. It earned him the Critics' Choice Television Award for Best Supporting Actor in a Comedy Series. He is also known for his roles in the films Pride (2014), Spectre (2015), and 1917 (2019). He was nominated for a Golden Globe Award for Best Actor for his starring role in the romantic drama film All of Us Strangers (2023). In 2024, he starred as Tom Ripley in the thriller series Ripley, for which he received Golden Globe and Primetime Emmy Award nominations as well as a Peabody Award. On stage, Scott played the lead role of Garry Essendine in a 2019 production of Present Laughter at The Old Vic, for which he won the Laurence Olivier Award for Best Actor. He also won the Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre in 2005 for his role in A Girl in a Car with a Man at the Royal Court Theatre.

Deep in the African rain forest, near the legendary ruins of the Lost City of Zinj, an expedition of eight American geologists is mysteriously and brutally killed in a matter of minutes. Ten thousand miles away, Karen Ross, the Congo Project Supervisor, watches a gruesome video transmission of the aftermath: a camp destroyed, tents crushed and torn, equipment scattered in the mud alongside dead bodies -- all motionless except for one moving image -- a grainy, dark, man-shaped blur. In San Francisco, primatologist Peter Elliot works with Amy, a gorilla with an extraordinary vocabulary of 620 "signs," the most ever learned by a primate, and she likes to fingerpaint. But recently, her behavior has been erratic and her drawings match, with stunning accuracy, the brittle pages of a Portuguese print dating back to 1642 . . . a drawing of an ancient lost city. A new expedition -- along with Amy -- is sent into the Congo where they enter a secret world, and the only way out may be through a horrifying death . . . This is going to be a better film version than the awful 1995 version.


