Age: 48
male
Son of Augustin Rodriguez and Andres Botet Servilia Maria del Carmen Lopez Nieto. After living his first five years in his hometown, due to the work of his father, he moved to live another five years to Cuenca, followed by two years in Almería and finally to Granada where he lived until graduating from Fine Arts in 2001 . In 2002 he moved to Madrid where he lived until 2009 at least. At 5 years you are diagnosed with Marfan Syndrome, and is involved in Madrid to solve your pectus excavatum, at age 20 because of back problems and later at 28 to prevent problems themselves aortic disease. Hypermobility of certain tissues that carries this syndrome give extremely long, thin fingers and a height of 2 meters and a peculiar physical aspect, coupled with his willingness to performing arts, offered his first chance in the world of cinema in a horror film directed by Brian Yuzna: Beneath stil water (2005); after these follow other special success, especially Rec (2007), directed by Jaume Balagueró and Paco Plaza; He has also acted as occasional actor in numerous television serials such as Planta 25, The looming, Genesis, Los hombres de Paco and Pluto BRB Nero etc. In 2010 Botet embodies one of the roles of Frankenstein (same rendering two actors play the monster) in the stage adaptation titled Frankenstein, directed by Gustavo Tambascio and which shares the bill with players like Raul Eduardo Peña or Casanova.La play was performed in the Canal Theatre in the Community of Madrid. Plays the haunting "Mama" Mama's hit movie produced by Guillermo del Toro released in 2013. Coming shoot a movie with Neve Campbell and Dougray Scott called Division 19.
Javier Botet
Yag-kosha
for Yag-kosha in Conan: The Hyborian Age (TV-Series)
Suggested by rickzeo
The kingdoms of the Hyborian Age have reached a decadent pinnacle. In the great nations of the West , a new "Doctrine of Serenity" has taken hold. Led by a class of refined scholars and "benevolent" viziers, society has come to view the primal impulses of man—his capacity for protective violence, his rugged independence, and his competitive fire—as "atavistic tremors" that threaten the social harmony. Strength is treated as a defect; passion is treated as a sickness. Amidst this quiet, perfumed stagnation arrives Conan of Cimmeria. To the "enlightened" nobility, he is a walking blasphemy—a man who smells of sweat and leather in a world of silk and incense. He does not speak in riddles, he does not perform for the court, and he reacts to injustice with a heavy hand. He is the "Inconvenient Man," an unrefined mirror reflecting the cowardice of a society that has traded its agency for comfort. But the "Doctrine of Serenity" is not a human evolution; it is a siege strategy. The viziers are the Serpent Men of Valusia, ancient reptilian infiltrators who have traded their swords for the "Illusion of the Serpent." They understand that a man who has lost his "will to strive" is a man who cannot defend his home. By systematically shaming the warrior spirit and pathologizing the individual, the Serpent Men are "taming" humanity into a docile herd, stripping away their natural defenses before the final strike. The tragedy lies in the people themselves. Conditioned to fear their own shadows, the citizens actively hunt the "barbarians" among them, believing that by extinguishing the last embers of human fire, they will finally be safe. Only when the Serpent Men shed their human masks do the deluded realize their error. In a world of "harmonious" slaves, the unrefined Cimmerian alone remains capable of holding a blade, proving that the savage virtues society tried to "cure" were the only things keeping the darkness at bay.
