Age: 59
male
Tobias Edward Heslewood Jones OBE (born September 7, 1966) is an English actor. Jones made his film debut in Sally Potter's period drama Orlando in 1992. He appeared in minor roles in films such as Naked (1993), Les Misérables (1998), Ever After (1998), Finding Neverland (2005), and Mrs Henderson Presents (2005). He won critical acclaim for his leading role as Truman Capote in the biopic Infamous (2006). Since then, he has worked as a character actor in films such as Michael Apted's biographical drama Amazing Grace (2006), John Curran's drama The Painted Veil (2006), Oliver Stone's political satire W. (2008), Ron Howard's political drama Frost/Nixon (2008), the Cold War spy thriller Tinker Tailor Soldier Spy (2011), Simon Curtis' My Week with Marilyn (2011), the psychological drama Berberian Sound Studio (2012), the war comedy Dad's Army (2016), and the war drama Journey's End (2017). He is also known for his vocal performances as Dobby the House elf in the Harry Potter films (2002–2011), Aristides Silk in The Adventures of Tintin (2011) and Owl in Disney's Christopher Robin (2018). He is also known for his performances in blockbuster franchises such as Claudius Templesmith in The Hunger Games (2012) and The Hunger Games: Catching Fire (2013), Arnim Zola in the Marvel Cinematic Universe (MCU) films Captain America: The First Avenger (2011) and Captain America: The Winter Soldier (2014), also voicing the character in the Disney+ television series What If...? (2021), and as Mr. Eversoll in Jurassic World: Fallen Kingdom (2018). Jones's television credits include Doctor Who (2010), Julian Fellowes's Titanic miniseries (2012), the MCU's Agent Carter (2015), and Wayward Pines (2015–2016). He was nominated for a Golden Globe Award for Best Actor – Miniseries or Television Film for his role as Alfred Hitchcock in the HBO television film The Girl (2012) and won a Best Male Comedy BAFTA for his role in Detectorists (2018). In 2017, he portrayed Culverton Smith in "The Lying Detective", an episode of the BBC crime drama Sherlock. Jones is also known for his work in the theatre. He made his stage debut in 2001 in the comedy play The Play What I Wrote which played in the West End and on Broadway, earning him a Laurence Olivier Award for Best Actor in a Supporting Role. In 2020 he was nominated for his second Olivier Award, for Best Actor for his performance in a revival of Anton Chekov's Uncle Vanya. Description above from the Wikipedia article Toby Jones, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Toby Jones
Tiberias
for Tiberias in Conan: The Hyborian Age (TV-Series)
Suggested by rickzeo
The kingdoms of the Hyborian Age have reached a decadent pinnacle. In the great nations of the West , a new "Doctrine of Serenity" has taken hold. Led by a class of refined scholars and "benevolent" viziers, society has come to view the primal impulses of man—his capacity for protective violence, his rugged independence, and his competitive fire—as "atavistic tremors" that threaten the social harmony. Strength is treated as a defect; passion is treated as a sickness. Amidst this quiet, perfumed stagnation arrives Conan of Cimmeria. To the "enlightened" nobility, he is a walking blasphemy—a man who smells of sweat and leather in a world of silk and incense. He does not speak in riddles, he does not perform for the court, and he reacts to injustice with a heavy hand. He is the "Inconvenient Man," an unrefined mirror reflecting the cowardice of a society that has traded its agency for comfort. But the "Doctrine of Serenity" is not a human evolution; it is a siege strategy. The viziers are the Serpent Men of Valusia, ancient reptilian infiltrators who have traded their swords for the "Illusion of the Serpent." They understand that a man who has lost his "will to strive" is a man who cannot defend his home. By systematically shaming the warrior spirit and pathologizing the individual, the Serpent Men are "taming" humanity into a docile herd, stripping away their natural defenses before the final strike. The tragedy lies in the people themselves. Conditioned to fear their own shadows, the citizens actively hunt the "barbarians" among them, believing that by extinguishing the last embers of human fire, they will finally be safe. Only when the Serpent Men shed their human masks do the deluded realize their error. In a world of "harmonious" slaves, the unrefined Cimmerian alone remains capable of holding a blade, proving that the savage virtues society tried to "cure" were the only things keeping the darkness at bay.
