Age: 60
male
Mads Dittmann Mikkelsen (Danish: [ˈmæsˈme̝kl̩sn̩]; born 22 November 1965) is a Danish-American actor. He rose to fame in Denmark as an actor for his roles such as Tonny in the first two films of the Pusher film trilogy (1996, 2004), Detective Sergeant Allan Fischer in the television series Rejseholdet (2000–2004), Niels in Open Hearts (2002), Svend in The Green Butchers (2003), Ivan in Adam's Apples (2005), and Jacob Petersen in After the Wedding (2006). Mikkelsen achieved worldwide recognition for playing the main antagonist, Le Chiffre, in the twenty-first James Bond film, Casino Royale (2006). His other film roles include Igor Stravinsky in Coco Chanel & Igor Stravinsky (2008), Johann Friedrich Struensee in A Royal Affair (2012), his Cannes Film Festival Best Actor Award-winning performance as Lucas in the Danish film The Hunt (2012), Kaecilius in Marvel's Doctor Strange (2016), Galen Erso in Lucasfilm's Rogue One (2016), his BAFTA-nominated role as Martin in Another Round (2020), Gellert Grindelwald in Fantastic Beasts: The Secrets of Dumbledore (2022), Dr. Jürgen Voller in Indiana Jones and the Dial of Destiny (2023), and Captain Ludwig Kahlen in The Promised Land (2023). Outside of film, he is known for his roles as Dr. Hannibal Lecter in the television series Hannibal (2013–2015) and Cliff Unger in Hideo Kojima's video game Death Stranding (2019). A. O. Scott of The New York Times remarked that in the Hollywood scene, Mikkelsen has "become a reliable character actor with an intriguing mug" but stated that on the domestic front "he is something else: a star, an axiom, a face of the resurgent Danish cinema". Description above from the Wikipedia article Mads Mikkelsen, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Mads Mikkelsen
Tarascus
for Tarascus in Conan: The Hyborian Age (TV-Series)
Suggested by rickzeo
The kingdoms of the Hyborian Age have reached a decadent pinnacle. In the great nations of the West , a new "Doctrine of Serenity" has taken hold. Led by a class of refined scholars and "benevolent" viziers, society has come to view the primal impulses of man—his capacity for protective violence, his rugged independence, and his competitive fire—as "atavistic tremors" that threaten the social harmony. Strength is treated as a defect; passion is treated as a sickness. Amidst this quiet, perfumed stagnation arrives Conan of Cimmeria. To the "enlightened" nobility, he is a walking blasphemy—a man who smells of sweat and leather in a world of silk and incense. He does not speak in riddles, he does not perform for the court, and he reacts to injustice with a heavy hand. He is the "Inconvenient Man," an unrefined mirror reflecting the cowardice of a society that has traded its agency for comfort. But the "Doctrine of Serenity" is not a human evolution; it is a siege strategy. The viziers are the Serpent Men of Valusia, ancient reptilian infiltrators who have traded their swords for the "Illusion of the Serpent." They understand that a man who has lost his "will to strive" is a man who cannot defend his home. By systematically shaming the warrior spirit and pathologizing the individual, the Serpent Men are "taming" humanity into a docile herd, stripping away their natural defenses before the final strike. The tragedy lies in the people themselves. Conditioned to fear their own shadows, the citizens actively hunt the "barbarians" among them, believing that by extinguishing the last embers of human fire, they will finally be safe. Only when the Serpent Men shed their human masks do the deluded realize their error. In a world of "harmonious" slaves, the unrefined Cimmerian alone remains capable of holding a blade, proving that the savage virtues society tried to "cure" were the only things keeping the darkness at bay.
