Age: 60
female
Helena Bonham Carter CBE (born May 26, 1966) is an English actress. Known for her roles in independent films and blockbusters, especially period dramas, she is the recipient of various accolades, including a British Academy Film Award and three Screen Actors Guild Awards, in addition to nominations for two Academy Awards, four British Academy Television Awards, nine Golden Globe Awards, and five Primetime Emmy Awards. Bonham Carter rose to prominence by playing Lucy Honeychurch in A Room with a View (1985) and the title character in Lady Jane (1986). Her early period roles saw her typecast as a virginal "English rose", a label she was uncomfortable with. She is best known for her eccentric fashion, dark aesthetic, and for often playing quirky women. For her role as Kate Croy in The Wings of the Dove (1997), Bonham Carter received a nomination for the Academy Award for Best Actress, and for her portrayal of Queen Elizabeth The Queen Mother in The King's Speech (2010), she won the BAFTA Award for Best Actress in a Supporting Role, and was nominated for the Academy Award for Best Supporting Actress. Her other films include Hamlet (1990), Howards End (1992), Mary Shelley's Frankenstein (1994), Mighty Aphrodite (1995), Fight Club (1999), Wallace & Gromit: The Curse of the Were-Rabbit (2005), the Harry Potter series (2007–2011) as Bellatrix Lestrange, Great Expectations (2012) as Miss Havisham, Les Misérables (2012), Cinderella (2015), Ocean's 8 (2018), and Enola Holmes (2020). Her collaborations with director Tim Burton, her former domestic partner, include Big Fish (2003), Corpse Bride (2005), Charlie and the Chocolate Factory (2005), Sweeney Todd: The Demon Barber of Fleet Street (2007) as Mrs. Lovett, Alice in Wonderland (2010) as the Red Queen, and Dark Shadows (2012). For her role as children's author Enid Blyton in the BBC Four biographical film Enid (2009), she won the 2010 International Emmy Award for Best Actress and was nominated for the British Academy Television Award for Best Actress. Her other television films include Fatal Deception: Mrs. Lee Harvey Oswald (1993), Live from Baghdad (2002), Toast (2010), and Burton & Taylor (2013). From 2019 to 2020, she portrayed Princess Margaret, Countess of Snowdon in seasons three and four of Netflix's The Crown.
Helena Bonham Carter
Louhi
for Louhi in Conan: The Hyborian Age (TV-Series)
Suggested by rickzeo
The kingdoms of the Hyborian Age have reached a decadent pinnacle. In the great nations of the West , a new "Doctrine of Serenity" has taken hold. Led by a class of refined scholars and "benevolent" viziers, society has come to view the primal impulses of man—his capacity for protective violence, his rugged independence, and his competitive fire—as "atavistic tremors" that threaten the social harmony. Strength is treated as a defect; passion is treated as a sickness. Amidst this quiet, perfumed stagnation arrives Conan of Cimmeria. To the "enlightened" nobility, he is a walking blasphemy—a man who smells of sweat and leather in a world of silk and incense. He does not speak in riddles, he does not perform for the court, and he reacts to injustice with a heavy hand. He is the "Inconvenient Man," an unrefined mirror reflecting the cowardice of a society that has traded its agency for comfort. But the "Doctrine of Serenity" is not a human evolution; it is a siege strategy. The viziers are the Serpent Men of Valusia, ancient reptilian infiltrators who have traded their swords for the "Illusion of the Serpent." They understand that a man who has lost his "will to strive" is a man who cannot defend his home. By systematically shaming the warrior spirit and pathologizing the individual, the Serpent Men are "taming" humanity into a docile herd, stripping away their natural defenses before the final strike. The tragedy lies in the people themselves. Conditioned to fear their own shadows, the citizens actively hunt the "barbarians" among them, believing that by extinguishing the last embers of human fire, they will finally be safe. Only when the Serpent Men shed their human masks do the deluded realize their error. In a world of "harmonious" slaves, the unrefined Cimmerian alone remains capable of holding a blade, proving that the savage virtues society tried to "cure" were the only things keeping the darkness at bay.
