Age: 51
male
Álvaro Luis Bernat "Tony" Dalton (born February 13, 1975) is an American and Mexican actor. For much of his career, he has acted in Mexican films, television shows, and stage plays. He is best known in the United States for his portrayal of Lalo Salamanca in Better Call Saul (2018–2022). He also starred as Jack Duquesne in the 2021 Marvel Cinematic Universe miniseries Hawkeye. Álvaro Luis Bernat Dalton was born in Laredo, Texas, on February 13, 1975, the son of an American mother and a Mexican father. He attended the Eaglebrook School in Deerfield, Massachusetts, then studied acting at New York City's Lee Strasberg Theatre and Film Institute. Dalton's first major role was on the Mexican telenovela Rebelde (2004–2006). His first film role was in Matando Cabos (2004), which he also co-wrote. He later wrote and starred in Sultanes del Sur (2007). His other film credits include Violanchelo (2008) and The Perfect Dictatorship (2014). He also played a supporting role in the HBO Latin America series Capadocia (2008). He played the lead in the HBO series Sr. Ávila (2017), which won the International Emmy award for Best Non-English Language Series. Dalton portrayed Lalo Salamanca in Better Call Saul (2018–2022), first appearing in the season 4 episode "Coushatta." His performance received critical acclaim, earning him nominations for one Screen Actors Guild Award and two Saturn Awards, while some critics deemed Lalo one of the best villains on television. He was cast as Jack Duquesne in the miniseries Hawkeye (2021) after producer Trinh Tran was impressed with his performance in Better Call Saul. Description above from the Wikipedia article Tony Dalton, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Tony Dalton
Black Zarono
for Black Zarono in Conan: The Hyborian Age (TV-Series)
Suggested by rickzeo
The kingdoms of the Hyborian Age have reached a decadent pinnacle. In the great nations of the West , a new "Doctrine of Serenity" has taken hold. Led by a class of refined scholars and "benevolent" viziers, society has come to view the primal impulses of man—his capacity for protective violence, his rugged independence, and his competitive fire—as "atavistic tremors" that threaten the social harmony. Strength is treated as a defect; passion is treated as a sickness. Amidst this quiet, perfumed stagnation arrives Conan of Cimmeria. To the "enlightened" nobility, he is a walking blasphemy—a man who smells of sweat and leather in a world of silk and incense. He does not speak in riddles, he does not perform for the court, and he reacts to injustice with a heavy hand. He is the "Inconvenient Man," an unrefined mirror reflecting the cowardice of a society that has traded its agency for comfort. But the "Doctrine of Serenity" is not a human evolution; it is a siege strategy. The viziers are the Serpent Men of Valusia, ancient reptilian infiltrators who have traded their swords for the "Illusion of the Serpent." They understand that a man who has lost his "will to strive" is a man who cannot defend his home. By systematically shaming the warrior spirit and pathologizing the individual, the Serpent Men are "taming" humanity into a docile herd, stripping away their natural defenses before the final strike. The tragedy lies in the people themselves. Conditioned to fear their own shadows, the citizens actively hunt the "barbarians" among them, believing that by extinguishing the last embers of human fire, they will finally be safe. Only when the Serpent Men shed their human masks do the deluded realize their error. In a world of "harmonious" slaves, the unrefined Cimmerian alone remains capable of holding a blade, proving that the savage virtues society tried to "cure" were the only things keeping the darkness at bay.
