Age: 37
female
Danielle Riley Keough (/ˈkiːoʊ/ KEE-oh; born May 29, 1989) is an American actress and the eldest grandchild of Elvis Presley. She made her feature film debut in a supporting part in the musical biopic The Runaways (2010), portraying Marie Currie. Keough subsequently starred in the independent thriller The Good Doctor (2011) before being cast in a minor role in Steven Soderbergh's comedy film Magic Mike (2012). She appeared in her first big-budget release in the action feature Mad Max: Fury Road (2015). In 2016, Keough had her breakthrough role as an escort in the first season of the anthology series The Girlfriend Experience, earning a Golden Globe Award nomination for Best Actress. Her performance as a wayward young woman in the drama American Honey (2016) earned her further acclaim, including an Independent Spirit Award nomination for Best Supporting Female. Keough went on to star in the horror film It Comes at Night (2017) and in Soderbergh's heist film Logan Lucky (2017); she then appeared in the horror films The House That Jack Built (2018) and The Lodge (2019). Following a leading role in the comedy-drama Zola (2020), Keough starred in the Amazon Prime Video thriller series The Terminal List (2022) and the drama miniseries Daisy Jones & the Six (2023). The latter earned her nominations for another Golden Globe and a Primetime Emmy Award. Keough is a co-founder of the production company Felix Culpa. She has co-directed the drama War Pony (2022), which won the Caméra d'Or. She became the sole owner of Elvis Presley's estate, Graceland, following her mother, Lisa Marie Presley's death in 2023. Description above from the Wikipedia article Riley Keough, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Riley Keough
Jillian Guiler
for Jillian Guiler in Close Encounters of the Third Kind (2027)
Suggested by nickienicks
Two parallel stories are told. In the first, a group of research scientists from a variety of backgrounds are investigating the strange appearance of items in remote locations, primarily desert regions. In continuing their investigation, one of the lead scientists, a Frenchman named Claude Lacombe, incorporates the Kodály method of music education as a means of communication in their work. The response, in turn, at first baffles the researchers, until American cartographer David Laughlin deciphers the meaning of the response. In the second, electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie, Indiana who experience some paranormal activity before some flashes of bright lights in the sky, which they believe to be a UFO. Roy becomes obsessed with what he saw, unlike some others, especially in some form of authority, who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. That obsession both for Roy and Jillian is ratcheted up a notch when they begin to have a vision of a mound with vertical striations on its side as a key to what is going on. While the obsession negatively affects Roy's life as he knows it in its entirety, Jillian knows she has to find the answer as to its meaning, especially as it relates to her only child, three year old Barry Guiler, who may be more attuned to what is happening than the adult figures around him. These two stories have the potential to intersect if Roy and Jillian can discover where they've seen that mound before, and if they can overcome what they believe to be the lies perpetrated by those in authority in covering up what is going on.
