Age: 44
male
Michiel Huisman (born July 18, 1981) is a Dutch film and television actor, musician, and singer-songwriter, who has acted in both Dutch and English-language productions. He's best known for his roles on television series as Eric 'Prince' Haase on Echo 3, Olivier Meyer on Angela Black, Alex Sokolov on The Flight Attendant, Steven Crain on The Haunting of Hill House, Walter Davidson on the miniseries Harley and the Davidsons, (the second) Daario Naharis on Game of Thrones, Cal Morrison on Orphan Black, Liam McGuinnis on Nashville, and Sonny on Tréme. He's also known for his film roles as Dawsey Adams in The Guernsey Literary & Potato Peel Pie Society, Sam in Irreplaceable You, Ellis Jones in The Age of Adeline, Ellis in World War Z, and Ernest in The Young Victoria. In Dutch TV series, he's known for his roles as Martijn Wager on Bloedverwanten, Hugo Biesterveld on De Co-assistent, Boudewijn Peuts on Meriden van de Wit, Bart on Costa!, and Rover on Goede tijden, slechte tijden.
Michiel Huisman
Frank
for Frank in Cleopatra and Frankenstein
Suggested by scarletsloveletter
Twenty-four-year-old British painter Cleo has escaped from England to New York and is still finding her place in the sleepless city when, a few months before her student visa ends, she meets Frank. Twenty years older and a self-made success, Frank's life is full of all the excesses Cleo's lacks. He offers her the chance to be happy, the freedom to paint, and the opportunity to apply for a Green Card. But their impulsive marriage irreversibly changes both their lives, and the lives of those close to them, in ways they never could've predicted. Each compulsively readable chapter explores the lives of Cleo, Frank, and an unforgettable cast of their closest friends and family as they grow up and grow older. Whether it's Cleo's best friend struggling to embrace his gender queerness in the wake of Cleo's marriage, or Frank's financially dependent sister arranging sugar daddy dates to support herself after being cut off, or Cleo and Frank themselves as they discover the trials of marriage and mental illness, each character is as absorbing, and painfully relatable, as the last.
