Age: 32
female
Lucy Boynton (born January 17, 1994) is a British actress. Her first professional role was as the young Beatrix Potter in Miss Potter (2006), for which she was nominated for the Young Artist Award for Best Performance in a Feature Film – Supporting Young Actress. She went on to play Posy Fossil in 2007 in the BBC film Ballet Shoes. She also played the role of Margaret Dashwood in the BBC serial Sense and Sensibility (2008). She portrayed the mysterious model Raphina in the 2016 film Sing Street, a ghost Polly Parsons in the 2016 film I Am the Pretty Thing That Lives in the House and Countess Helena Andrenyi in the 2017 adaptation of Murder on the Orient Express. She played Freddie Mercury's partner, Mary Austin, in the biopic Bohemian Rhapsody (2018), for which earned the cast a nomination for Outstanding Performance by a Cast in a Motion Picture at the 25th Screen Actors Guild Awards. She portrayed Astrid Sloan in the Netflix series The Politician (2019–2020).
Twenty-four-year-old British painter Cleo has escaped from England to New York and is still finding her place in the sleepless city when, a few months before her student visa ends, she meets Frank. Twenty years older and a self-made success, Frank's life is full of all the excesses Cleo's lacks. He offers her the chance to be happy, the freedom to paint, and the opportunity to apply for a Green Card. But their impulsive marriage irreversibly changes both their lives, and the lives of those close to them, in ways they never could've predicted. Each compulsively readable chapter explores the lives of Cleo, Frank, and an unforgettable cast of their closest friends and family as they grow up and grow older. Whether it's Cleo's best friend struggling to embrace his gender queerness in the wake of Cleo's marriage, or Frank's financially dependent sister arranging sugar daddy dates to support herself after being cut off, or Cleo and Frank themselves as they discover the trials of marriage and mental illness, each character is as absorbing, and painfully relatable, as the last.
