Age: 55
male
Jonathan Daniel Hamm (born March 10, 1971) is an American actor. He is best known for his role as Don Draper in the period drama series Mad Men (2007–2015), for which he won numerous accolades, including a Primetime Emmy Award and two Golden Globe Awards. Hamm also acted in lead roles in the films Stolen (2010), Million Dollar Arm (2014), Keeping Up with the Joneses (2016), Beirut (2018), and Confess, Fletch (2022), as well as his supporting roles in The Town (2010), Sucker Punch (2011), Bridesmaids (2011), Baby Driver (2017), Tag (2018), Bad Times at the El Royale (2018), The Report (2019), Richard Jewell (2019), No Sudden Move (2021), and Top Gun: Maverick (2022). He also provided voice acting roles in the animated films Shrek Forever After (2010), Minions (2015), and Transformers One (2024). He has appeared in the Sky Arts series A Young Doctor's Notebook, the Channel 4 dystopian anthology series Black Mirror, the Amazon Prime fantasy series Good Omens, the FX superhero series Legion (2018), and the FX crime anthology series Fargo. He was Emmy-nominated for his roles in 30 Rock, Unbreakable Kimmy Schmidt, and The Morning Show. He has also acted in Parks and Recreation and Curb Your Enthusiasm. Description above from the Wikipedia article Jon Hamm, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves-and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest. Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. At some point in a woman's life, she just gets tired of being ashamed all the time, she muses. After that, she is free to become whoever she truly is
