Age: 52
female
Sarah Caroline Sinclair CBE (born January 30, 1974), known professionally as Olivia Colman, is an English actress. Known for her comedic and dramatic roles in film and television, she has received various accolades, including an Academy Award, a British Academy Film Award, two Emmy Awards, three British Academy Television Awards and three Golden Globe Awards. She was acclaimed for her performance in the ITV crime-drama series Broadchurch (2013–2017), for which she received a British Academy Television Award for Best Actress. She played Queen Elizabeth II from 2019 to 2020 in the Netflix period-drama series The Crown, for which she received a Golden Globe Award and a Primetime Emmy Award for Outstanding Lead Actress in a Drama Series. For her portrayal of Anne, Queen of Great Britain in the period black-comedy film The Favourite (2018), Colman received the Academy Award for Best Actress. She received additional Academy Award nominations for her performances in The Father (2020) and The Lost Daughter (2021). Other notable film and television credits include Hot Fuzz (2007), Tyrannosaur (2011), The Iron Lady (2011), Hyde Park on Hudson (2012), Locke (2013), The Lobster (2015), Fleabag (2016-2019), Murder on the Orient Express (2017), The Mitchells vs. the Machines (2021), Landscapers (2021), Empire of Light (2022), Puss in Boots: The Last Wish (2022), Secret Invasion (2023), Wonka (2023), Wicked Little Letters (2023) and Paddington in Peru (2024).
In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves-and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest. Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. At some point in a woman's life, she just gets tired of being ashamed all the time, she muses. After that, she is free to become whoever she truly is
