Age: 71
male
Michael Rooker (born April 6, 1955) is an American actor who mainly plays roles of antagonists. He first rose to prominence for portraying the titular role in Henry: Portrait of a Serial Killer (1986) and is best known for starring as Merle Dixon in the AMC series The Walking Dead (2010–2013) and as Yondu Udonta in Guardians of the Galaxy (2014), followed by its sequels Guardians of the Galaxy Vol. 2 (2017) and Guardians of the Galaxy Vol. 3 (2023). He is a recurring collaborator of Guardians of the Galaxy director and co-CEO of DC Studios, James Gunn, appearing in all of his films to date, including Slither (2006), Super (2010), and The Suicide Squad (2021). Rooker's other notable roles include Chick Gandil in Eight Men Out (1988), Frank Bailey in Mississippi Burning (1988), Terry Cruger in Sea of Love (1989), Rowdy Burns in Days of Thunder (1990), Bill Broussard in JFK (1991), Hal Tucker in Cliffhanger (1993), Sherman McMaster in Tombstone (1993), Jared Svenning in Mallrats (1995), Detective Edward Kennesaw in Deceiver (1997), Detective Howard Cheney in The Bone Collector (1999), Detective Jake Riley in Replicant (2001), and Buddy in F9 (2021).
In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves-and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest. Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. At some point in a woman's life, she just gets tired of being ashamed all the time, she muses. After that, she is free to become whoever she truly is
