Age: 49
female
Audrey Justine Tautou (French pronunciation: [o.dʁɛ to.tu]; born August 9, 1976) is a French actress and model. Signed by an agent at age 17, she made her acting debut at 18 on television and her feature film debut in Venus Beauty Institute (1999), for which she received critical acclaim and won the César Award for Most Promising Actress. Her subsequent roles in the 1990s and 2000s included Le Libertin and Happenstance (2000). Tautou achieved international recognition for her lead role in the 2001 film Amélie, which met with critical acclaim and was a major box-office success. Amélie won Best Film at the European Film Awards, four César Awards (including Best Film and Best Director), two BAFTA Awards (including Best Original Screenplay), and was nominated for five Academy Awards. Tautou has since appeared in films in a range of genres, including the thrillers Dirty Pretty Things and The Da Vinci Code, and the romantic Priceless (2006). She has received critical acclaim for her many roles including the drama A Very Long Engagement (2004) and the biographical drama Coco avant Chanel (2009). She has been nominated three times for the César Award and twice for the BAFTA for Best Actress in a leading role. She became one of the few French actors in history to be invited to join the Academy of Motion Picture Arts and Sciences (AMPAS) in June 2004. Tautou has modeled for Chanel, Montblanc, L'Oréal and many other companies. She is an active supporter of several charities.
Audrey Tautou
Edna Parker Watson
for Edna Parker Watson in City Of Girls
Suggested by jamedudi
In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves-and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest. Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. At some point in a woman's life, she just gets tired of being ashamed all the time, she muses. After that, she is free to become whoever she truly is
