Age: 40
female
Marie Avgeropoulos (/ævdʒɛrɔːˈpuːlɔːs/; born June 17, 1986) is a Canadian actress and model with Greek ancestry. Her break-out role was as Valli Wooley in the 2009 film I Love You, Beth Cooper directed by Chris Columbus. Since then, she has appeared in more film and TV roles: as Kirstie in Cult, as Kim Rhodes in Hunt to Kill, and the sci-fi series The 100 as Octavia Blake. After studying broadcast journalism for two years in her hometown, Avgeropoulos moved to Europe. Several months later, she came back to Canada and settled in Vancouver. Avgeropoulos started playing drums when she was 16. One of her friends invited her for a casting call in Vancouver, which happened to be looking for drummers. A talent agent recognized her talent and invited her to appear in various national commercials. She caught the attention of director Chris Columbus. He hired Avgeropoulos for I Love You, Beth Cooper, which became her first feature film role. Her appearance in the film gave her the opportunities to star in more films and television shows. In 2010, Avgeropoulos was cast as Kim Rhodes in the film Hunt to Kill, which became her break-out role. Early in 2013, Avgeropoulos made her break-out in television after being cast for a recurring role in The CW's Cult. However, the series failed to attract viewers and after episode 7, the show was canceled. The remaining six episodes of the show were broadcast later in the summer. Not long after the show ended, The CW cast her as one of the main characters in their new sci-fi, The 100, to portray the character Octavia Blake.
In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves-and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest. Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. At some point in a woman's life, she just gets tired of being ashamed all the time, she muses. After that, she is free to become whoever she truly is
