Age: 64
male
Jared Francis Harris (born August 24, 1961) is a British actor who has appeared in film, television, and theater. He is the son of the late Irish actor Richard Harris and the Welsh actress Elizabeth Rees-Williams. Harris was born in Hammersmith, London, in 1961. He studied drama and literature at Duke University in North Carolina, and then went on to train at the Royal Central School of Speech and Drama in London. Harris made his film debut in 1989 with a small role in the film The Rachel Papers. He went on to appear in a number of films, including The Last of the Mohicans (1992), Natural Born Killers (1994), Smoke (1995), Happiness (1998), and How to Kill Your Neighbor's Dog (2000). In 2007, Harris began a recurring role as Lane Pryce in the 2007 AMC television series Mad Men and was received a Primetime Emmy Award for Outstanding Supporting Actor for his performance. In 2019, he won the British Academy Television Award for Best Actor for his performance as Valery Legasov in the HBO miniseries Chernobyl. Harris has also had notable roles in television series such as Fringe (2008), The Crown (2016), The Expanse (2015) and Foundation (2021). On stage, Harris has appeared in productions of The Crucible, The Cherry Orchard, and The Homecoming. He has also directed several stage productions, including The Glass Menagerie and The Birthday Party.
When Holly applies for a job at the Paradise - one of the city's oldest cinemas, squashed into the ground floor of a block of flats - she thinks it will be like any other shift work. She cleans toilets, sweeps popcorn, avoids the belligerent old owner, Iris, and is ignored by her aloof but tight-knit colleagues who seem as much a part of the building as its fraying carpets and endless dirt. Dreadful, lonely weeks pass while she longs for their approval, a silent voyeur. So when she finally gains the trust of this cryptic band of oddballs, Holly transforms from silent drudge to rebellious insider and gradually she too becomes part of the Paradise - unearthing its secrets, learning its history and haunting its corridors after hours with the other ushers. It is no surprise when violence strikes, tempers change and the group, eyes still affixed to the screen, starts to rapidly go awry...
