Age: 36
male
Billy Howle was born in Stoke-on-Trent, England, to a schoolteacher mother and a father who teaches at Kent University, the second of four sons. His older brother, Sam, is a graphic designer. Despite his parents' academic backgrounds, Billy has said that he was not interested in further education, and worked instead at the local Stephen Joseph theater, in community-based projects involving dance and acting. After a year at drama school, he enrolled at the prestigious Bristol Old Vic Theatre School, graduating in 2013. Having appeared at Bristol in 'The Little Mermaid,' his next stage appearance was in New York at the Brooklyn Academy of Music, opposite Lesley Manville in Richard Eyre's production of Henrik Ibsen's 'Ghosts' and a year later was reunited with Bristol Old Vic, the director, and Ms. Manville in a scorching production of 'Long Day's Journey Into Night' alongside Jeremy Irons - another Bristol Old Vic alumnus - Hadley Fraser, and Jessica Regan, more than holding his own with his older, more experienced co-stars. After a couple of small roles in television drama, Billy's first substantial lead came in the youth-oriented murder mystery Glue (2014) in 2014, opening the first scene in memorable style as he rolled nude down stacks of grain in a barn. In 2016, he was in another murder mystery, The Witness for the Prosecution (2016), as the defendant accused of killing his wealthy benefactress, by which time he had filmed his first forays into cinema: On Chesil Beach (2017) and Anton Chekhov's The Seagull (2018), both with Saoirse Ronan, and The Sense of an Ending (2017).
When Holly applies for a job at the Paradise - one of the city's oldest cinemas, squashed into the ground floor of a block of flats - she thinks it will be like any other shift work. She cleans toilets, sweeps popcorn, avoids the belligerent old owner, Iris, and is ignored by her aloof but tight-knit colleagues who seem as much a part of the building as its fraying carpets and endless dirt. Dreadful, lonely weeks pass while she longs for their approval, a silent voyeur. So when she finally gains the trust of this cryptic band of oddballs, Holly transforms from silent drudge to rebellious insider and gradually she too becomes part of the Paradise - unearthing its secrets, learning its history and haunting its corridors after hours with the other ushers. It is no surprise when violence strikes, tempers change and the group, eyes still affixed to the screen, starts to rapidly go awry...
