Age: 68
male
Steven Vincent Buscemi (born December 13, 1957) is an American actor. His early credits consist of significant roles in independent film productions such as Parting Glances (1986), Mystery Train (1989), In the Soup (1992), and his breakout role as Mr. Pink in Quentin Tarantino's Reservoir Dogs (1992). Buscemi has appeared in both independent and mainstream films, including Living in Oblivion (1995), Desperado (1995), Con Air (1997), Armageddon (1998), Ghost World (2001), Big Fish (2003), and The Death of Stalin (2017). Buscemi has often collaborated with the Coen brothers, appearing in Miller's Crossing (1990), Fargo (1996), and The Big Lebowski (1998). He also appeared in supporting or cameo roles in many films with Adam Sandler, including Airheads (1994), Billy Madison (1995), The Wedding Singer (1998), Mr. Deeds (2002), and Hubie Halloween (2020). He provided voice acting roles in the animated films Monsters, Inc. (2001), The Boss Baby (2017), and Transformers One (2024). Buscemi also directed the films Trees Lounge (1996), Animal Factory (2000), and Interview (2007). Buscemi has also had an extensive career in television, notably starring in the lead role of Enoch "Nucky" Thompson in the HBO series Boardwalk Empire (2010–2014). His performance earned him two Screen Actors Guild Awards, a Golden Globe and two nominations for a Primetime Emmy Award. His other television roles include Lonesome Dove (1989), The Sopranos (2004, 2006), 30 Rock (2007–2013), Horace and Pete (2016), and Miracle Workers (2019–2023).
A young warlord rises from the fractured heart of Europe, driven by a conviction that unity is worth any cost. Set in the brutal uncertainty of the Early Middle Ages, Charlemagne follows a Frankish king as he expands a fragile realm through relentless conquest, political cunning, and religious devotion. As he wages war against Saxons, Lombards, and rival claimants, his empire grows—but so does the weight of what he demands from those he conquers. Forced conversions, mass executions, and the quiet erasure of older gods haunt every victory. At the center of the film is a man torn between two visions of himself: a divinely appointed protector of Christendom and a ruler who knows his empire is built on blood. Court intrigue, betrayals within his own family, and the looming authority of the Church test his control as much as the battlefield does. His coronation as Emperor is framed not as triumph, but as a moment of irreversible transformation—where ambition hardens into legacy. Charlemagne is a historical epic focused less on glory than on consequence, portraying the creation of Europe as an act of will, violence, and faith—and asking whether unity achieved through force can ever truly endure.
