
Age: 53
male
Kevin Feige (/ˈfaɪɡi/ FY-ghee; born June 2, 1973) is an American film and television producer. He has been the president of Marvel Studios and the primary producer of the Marvel Cinematic Universe (MCU) franchise since 2007. The films he has produced have a combined worldwide box office gross of over $31 billion, making him the highest-grossing producer of all time, with Avengers: Endgame (2019) becoming the highest-grossing film at its release. Feige is a member of the Producers Guild of America. In 2018, he was nominated for the Academy Award for Best Picture for producing Black Panther, the first superhero film to receive that honour and the first film in the MCU to win an Academy Award. In October 2019, he became the chief creative officer of Marvel Entertainment. Description above from the Wikipedia article Kevin Feige, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Kevin Feige

Choreographer
for Choreographer in Charlemagne
Suggested by tarantinolovesfeet

A young warlord rises from the fractured heart of Europe, driven by a conviction that unity is worth any cost. Set in the brutal uncertainty of the Early Middle Ages, Charlemagne follows a Frankish king as he expands a fragile realm through relentless conquest, political cunning, and religious devotion. As he wages war against Saxons, Lombards, and rival claimants, his empire grows—but so does the weight of what he demands from those he conquers. Forced conversions, mass executions, and the quiet erasure of older gods haunt every victory. At the center of the film is a man torn between two visions of himself: a divinely appointed protector of Christendom and a ruler who knows his empire is built on blood. Court intrigue, betrayals within his own family, and the looming authority of the Church test his control as much as the battlefield does. His coronation as Emperor is framed not as triumph, but as a moment of irreversible transformation—where ambition hardens into legacy. Charlemagne is a historical epic focused less on glory than on consequence, portraying the creation of Europe as an act of will, violence, and faith—and asking whether unity achieved through force can ever truly endure.
