Age: 31
male
Lukas Gage (born May 28, 1995) is an American actor. He appeared in the television series American Vandal (2017), Euphoria (2019), The White Lotus (2021), You (2023), and Fargo (2023), as well as the horror films Smile 2 (2024) and Companion (2025). Gage was born on May 28, 1995, in San Diego, California and raised in Encinitas, California. He went to film camp every summer and acted in plays and commercials. He attended San Dieguito Academy in Encinitas. In November 2020, Gage posted a clip of an audition on Zoom, during which director Tristram Shapeero could be heard criticizing Gage's apartment, unaware that his microphone was not muted. Gage received messages of support from others in the film industry. Although he did not get the job, the rejection allowed him to accept a part in the HBO miniseries The White Lotus. Gage is gay. Hairstylist Chris Appleton confirmed his relationship with Gage on The Drew Barrymore Show in March 2023, and early the following month, the pair became engaged. Nineteen days later, Appleton and Gage were married. On November 13, 2023, Appleton filed for divorce from Gage, citing irreconcilable differences. Description above from the Wikipedia article Lukas Gage, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A young warlord rises from the fractured heart of Europe, driven by a conviction that unity is worth any cost. Set in the brutal uncertainty of the Early Middle Ages, Charlemagne follows a Frankish king as he expands a fragile realm through relentless conquest, political cunning, and religious devotion. As he wages war against Saxons, Lombards, and rival claimants, his empire grows—but so does the weight of what he demands from those he conquers. Forced conversions, mass executions, and the quiet erasure of older gods haunt every victory. At the center of the film is a man torn between two visions of himself: a divinely appointed protector of Christendom and a ruler who knows his empire is built on blood. Court intrigue, betrayals within his own family, and the looming authority of the Church test his control as much as the battlefield does. His coronation as Emperor is framed not as triumph, but as a moment of irreversible transformation—where ambition hardens into legacy. Charlemagne is a historical epic focused less on glory than on consequence, portraying the creation of Europe as an act of will, violence, and faith—and asking whether unity achieved through force can ever truly endure.
