Age: 74
male
Mark Richard Hamill (born September 25, 1951) is an American actor. He is best known for starring as Luke Skywalker in the Star Wars franchise and the Joker in various animated DC Comics projects, starting with Batman: The Animated Series in 1992. Through the 1980s, Hamill distinguished himself from his Star Wars role by pursuing a Broadway theatre career, starring in productions of The Elephant Man, Amadeus and The Nerd. His other live-action film and television roles include Kenneth W. Dantley Jr. in Corvette Summer (1978), Private Griff in The Big Red One (1980), Crow in Sushi Girl (2012), Ted Mitchum in Brigsby Bear (2017), and Arthur Pym in the Netflix miniseries The Fall of the House of Usher (2023). Hamill has also had a prolific career as a voice actor. Aside from Joker, his roles include the Hobgoblin in Spider-Man: The Animated Series (1995–1998), Fire Lord Ozai in Avatar: The Last Airbender (2005–2008), Mr. Salacia and Senator Stampingston in Metalocalypse (2006–2013, 2023), and Skips in Regular Show (2010–2017).
There’s a reason cell rhymes with hell. On October 1, God is in His heaven, the stock market stands at 10,140, most of the planes are on time, and Clayton Riddell, an artist from Maine, is almost bouncing up Boylston Street in Boston. He’s just landed a comic book deal that might finally enable him to support his family by making art instead of teaching it. He’s already picked up a small (but expensive!) gift for his long-suffering wife, and he knows just what he’ll get for his boy Johnny. Why not a little treat for himself? Clay’s feeling good about the future. That changes in a hurry. The cause of the devastation is a phenomenon that will come to be known as The Pulse, and the delivery method is a cell phone. Everyone’s cell phone. Clay and the few desperate survivors who join him suddenly find themselves in the pitch-black night of civilization’s darkest age, surrounded by chaos, carnage, and a human horde that has been reduced to its basest nature...and then begins to evolve. There’s really no escaping this nightmare. But for Clay, an arrow points home to Maine, and as he and his fellow refugees make their harrowing journey north they begin to see crude signs confirming their direction. A promise, perhaps. Or a threat...
