
Age: 39
male
Jonathan Michael Batiste (born November 11, 1986) is an American singer, songwriter, multi-instrumentalist, bandleader, composer, and television personality. He has recorded and performed with artists including Stevie Wonder, Prince, Willie Nelson, Lenny Kravitz, Ed Sheeran, Lana Del Rey, Roy Hargrove, Juvenile, and Mavis Staples. Batiste, with his band Stay Human, appeared nightly as bandleader and musical director on The Late Show with Stephen Colbert from 2015 to 2022. Batiste also serves as the music director of The Atlantic and the Creative Director of the National Jazz Museum in Harlem. In 2020, he co-composed the score for the Pixar animated film Soul, for which he received an Academy Award, a Golden Globe Award, a Grammy Award and a BAFTA Film Award (all shared with Trent Reznor and Atticus Ross). Batiste has garnered 5 Grammy Awards from 14 nominations, including an Album of the Year win for his album We Are (2021). In 2023, Batiste featured in the documentary film American Symphony which records the process of Batiste composing his first symphony.

Cats Don't Dance is a 1997 American animated musical comedy film directed by Mark Dindal (in his feature directorial debut).[2] The film features the voices of Scott Bakula, Jasmine Guy, Matthew Herried, Ashley Peldon, John Rhys-Davies, Kathy Najimy, Don Knotts, Hal Holbrook, Betty Lou Gerson (in her final film role), René Auberjonois, Mark Dindal, and George Kennedy. The film's musical numbers were written by Randy Newman and includes the contributions of Gene Kelly as choreographer, before his death in 1996. The film was Kelly's final film project and is dedicated to his memory. It is the only fully animated feature produced by Turner Feature Animation, which was merged during the post-production of Cats Don't Dance into Warner Bros. Feature Animation after the merger of Time Warner with Turner Broadcasting System in 1996. Cats Don't Dance was released in the United States on March 26, 1997, by Warner Bros. Pictures under its Warner Bros. Family Entertainment label. It was a box-office bomb, grossing $3.5 million domestically due to lack of promotion. Despite this, the film received generally positive reviews from critics, with praise for its animation, humor, characters, voice performances, and musical numbers.


