Age: 47
male
Paul Thomas King (born July 1978) is an English screenwriter and director. He works in television, film and theatre and specialises in comedy. He directed all 20 episodes of the surreal comedy series The Mighty Boosh (2004–2007), and in 2005 he earned a British Academy Television Award nomination for Best New Director. His work on the family comedy films Paddington (2014) and its 2017 sequel earned him British Academy Film Award nominations for Best British Film and Best Adapted Screenplay. In 2023, he directed and co-wrote Wonka, a film which serves as a backstory to the literary character Willy Wonka and explores his early days as a chocolatier. Description above from the Wikipedia article Paul King (director), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Michael Cooney’s riotous farce has all the ingredients for rib-tickling hilarity and offers a colorful selection of character roles. The hero, Eric Swan, has been laid off and never found the courage to tell his wife. Instead, he has invented a whole string of fictitious claimants living as lodgers at his home, and each week he cashes their benefit checks. Unfortunately, a man from the DSS arrives on the very morning that Swan, realizing the scam is getting out of hand, has announced that one of his lodgers has died. A grief counsellor arrives, hotly pursued by a marriage-relations expert and an undertaker. As a result, Swan and his reluctant collaborator, Norman McDonald, have to invent a whole repertory company of fake identities and fictitious family relationships, and there are delirious passages when everyone on stage seems to be talking at cross-purposes. The panicky mayhem kicks in early and never lets up, and the ludicrous plot is developed with an insane logic that touches on the inspirational. And while the play’s subject matter is topical, the farce is as reassuringly familiar. Huge-chested old boots are groped in the mistaken impression that they are chaps in drag, dead bodies that aren’t really dead are subjected to terrible indignities and Michael Cooney seems touchingly convinced that he is the first writer ever to have considered the comic possibilities of the word “Uranus”.
