Age: 52
female
Sarah Caroline Sinclair CBE (born January 30, 1974), known professionally as Olivia Colman, is an English actress. Known for her comedic and dramatic roles in film and television, she has received various accolades, including an Academy Award, a British Academy Film Award, two Emmy Awards, three British Academy Television Awards and three Golden Globe Awards. She was acclaimed for her performance in the ITV crime-drama series Broadchurch (2013–2017), for which she received a British Academy Television Award for Best Actress. She played Queen Elizabeth II from 2019 to 2020 in the Netflix period-drama series The Crown, for which she received a Golden Globe Award and a Primetime Emmy Award for Outstanding Lead Actress in a Drama Series. For her portrayal of Anne, Queen of Great Britain in the period black-comedy film The Favourite (2018), Colman received the Academy Award for Best Actress. She received additional Academy Award nominations for her performances in The Father (2020) and The Lost Daughter (2021). Other notable film and television credits include Hot Fuzz (2007), Tyrannosaur (2011), The Iron Lady (2011), Hyde Park on Hudson (2012), Locke (2013), The Lobster (2015), Fleabag (2016-2019), Murder on the Orient Express (2017), The Mitchells vs. the Machines (2021), Landscapers (2021), Empire of Light (2022), Puss in Boots: The Last Wish (2022), Secret Invasion (2023), Wonka (2023), Wicked Little Letters (2023) and Paddington in Peru (2024).
Imogen has always dreamed of writing for a magazine. Infinite internships later, Imogen dreams of any job. Writing her blog around double shifts at the pub is neither fulfilling her creatively nor paying the bills. Harri might just be Imogen's fairy godmother. She's moving from the glossy pages of Panache magazine to launch a fierce feminist site, The Know. And she thinks Imogen's most outrageous sexual content will help generate the clicks she needs. But neither woman is aware of the crucial thing they have in common. Harri, at the other end of her career, has also been bitten and betrayed by the industry she has given herself to. Will she wake up to the way she's being exploited before her protégé realises that not everything is copy? Can either woman reconcile their love for work with the fact that work will never love them back? Or is a chaotic rebellion calling...
