Age: 75
male
James Newton Howard is an American film composer, orchestrator and music producer. He has scored over 100 films and is the recipient of a Grammy Award, an Emmy Award, and nine nominations for Academy Awards. His film scores include Pretty Woman (1990), The Prince of Tides (1991), The Fugitive (1993), Space Jam (1996), The Sixth Sense (1999), Dinosaur (2000), Unbreakable (2000), Atlantis: The Lost Empire (2001), Signs (2002), Treasure Planet (2002), Peter Pan (2003), The Village (2004), King Kong (2005), Batman Begins (2005) and its sequel, The Dark Knight (2008) (both composed with Hans Zimmer), Blood Diamond (2006), Michael Clayton (2007), The Hunger Games series (2012–present), the Fantastic Beasts trilogy (2016–2022), and Raya and the Last Dragon (2021). He has collaborated extensively with directors M. Night Shyamalan and Francis Lawrence, having scored eight of Shyamalan's films and eight of Lawrence's films since I Am Legend (2007). He has also worked with other directors such as Peter Jackson, Edward Zwick, Michael Hoffman, P. J. Hogan, Paul Greengrass, Andrew Davis, Lawrence Kasdan, Joe Roth, Martin Campbell, Joe Johnston, Tony Gilroy, Taylor Hackford, Ivan Reitman, Joel Schumacher, and David Yates; conductor Pete Anthony; and violinists Bruce Dukov, and Eun-Mee Ahn.
Scarlett has never left the tiny island where she and her beloved sister, Tella, live with their powerful, and cruel, father. Now Scarlett’s father has arranged a marriage for her, and Scarlett thinks her dreams of seeing Caraval, the far-away, once-a-year performance where the audience participates in the show, are over. But this year, Scarlett’s long-dreamt of invitation finally arrives. With the help of a mysterious sailor, Tella whisks Scarlett away to the show. Only, as soon as they arrive, Tella is kidnapped by Caraval’s mastermind organizer, Legend. It turns out that this season’s Caraval revolves around Tella, and whoever finds her first is the winner. Scarlett has been told that everything that happens during Caraval is only an elaborate performance. But she nevertheless becomes enmeshed in a game of love, heartbreak, and magic with the other players in the game. And whether Caraval is real or not, she must find Tella before the five nights of the game are over, a dangerous domino effect of consequences is set off, and her sister disappears forever. Welcome, welcome to Caraval . . . beware of getting swept too far away.
