Age: 29
male
Lucas Hedges (born December 12, 1996) is an American actor. A son of filmmaker Peter Hedges, he studied theater at the University of North Carolina School of the Arts. Hedges began his acting career with a supporting role in Wes Anderson's comedy-drama Moonrise Kingdom (2012). He had his breakthrough in 2016 playing a sardonic teenager in Kenneth Lonergan's drama Manchester by the Sea, which earned him a nomination for the Academy Award for Best Supporting Actor. Hedges then starred as an aggressive youth in an off-Broadway production of Yen and had supporting roles in the coming-of-age film Lady Bird and the drama Three Billboards Outside Ebbing, Missouri in 2017. In 2018, Hedges played the lead role of a teenager forced into a gay conversion therapy program in Boy Erased, which earned him a nomination for the Golden Globe Award for Best Actor in a Drama. He also made his Broadway debut in a revival of Lonergan's drama The Waverly Gallery in the same year. In 2023, he starred in a West End theatre production of Brokeback Mountain. Description above from the Wikipedia article Lucas Hedges, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Lucas Hedges
Killer #3
for Killer #3 in CapeSplatter (Live Action Original Horror Film)
Suggested by nihilus
On the darkest corners of the web, millions gather as voyeurs, paying in crypto and bloodlust to watch their favorite underground spectacle: real superheroes being brutally murdered in hundreds of different ways. This audience isn’t passive — they cheer, comment, demand escalation, and even bankroll the carnage. Their stars are a gang of sadistic erotophonophiles juiced with black-market powers, prowling the city to mug, humiliate, and butcher celebrity heroes in grotesque livestreams. But some of the so-called “victims” are monsters themselves — adored by day, predators by night. These celebrity superheroes are erotophonophiles too, sadists who take cruel pleasure in abusing their powers against civilians, torturing the helpless and posting the footage for their own loyal following. The few heroes who still embody real virtue are swiftly hunted, sucker-punched and exterminated by their sadistic peers, leaving only predators in capes. As the gangs circle each other, their atrocities escalate under the pressure of their paying audience, turning the city into a theater of horror. Predator hunts predator, civilians are prey, and the word “hero” rots in the gutter, drowned out by the applause of millions of unseen hands.
