Age: 32
male
Michel Duval is a Mexican actor, singer, songwriter, composer and model known for his work in both Latin American television and U.S. productions. He gained international attention for his role as Chico in the Syfy action-drama Deadly Class (2019). Duval began acting as a child with appearances in La familia P. Luche and Atrévete a soñar and continued with early roles in La rosa de Guadalupe, Mujeres asesinas and the MTV series Último año. He went on to recurring and lead parts in Lo imperdonable, his breakthrough as Salvador “Chava” Acero in Telemundo’s Señora Acero (2015–2018), and a recurring role as Enrique “Kique” Jiménez in Queen of the South. His later credits include Diablero, the comedy-drama Herederos por accidente, the romantic telenovela Parientes a la fuerza, the 2023 Prime Video release Hasta la madre del Día de las Madres, holiday specials ¡Hasta la madre! De la Navidad and Mi amor sin tiempo, Marea de pasiones (2024), and the forthcoming Mi verdad oculta (2025). He also appeared in the short film Roy El Mago and the TV mini-series Puño Limpio. Duval continues to work across television, film and music.
Michel Duval
Killer #1
for Killer #1 in CapeSplatter (Live Action Original Horror Film)
Suggested by nihilus
On the darkest corners of the web, millions gather as voyeurs, paying in crypto and bloodlust to watch their favorite underground spectacle: real superheroes being brutally murdered in hundreds of different ways. This audience isn’t passive — they cheer, comment, demand escalation, and even bankroll the carnage. Their stars are a gang of sadistic erotophonophiles juiced with black-market powers, prowling the city to mug, humiliate, and butcher celebrity heroes in grotesque livestreams. But some of the so-called “victims” are monsters themselves — adored by day, predators by night. These celebrity superheroes are erotophonophiles too, sadists who take cruel pleasure in abusing their powers against civilians, torturing the helpless and posting the footage for their own loyal following. The few heroes who still embody real virtue are swiftly hunted, sucker-punched and exterminated by their sadistic peers, leaving only predators in capes. As the gangs circle each other, their atrocities escalate under the pressure of their paying audience, turning the city into a theater of horror. Predator hunts predator, civilians are prey, and the word “hero” rots in the gutter, drowned out by the applause of millions of unseen hands.
