Age: 35
male
Jack O'Connell (born 1 August 1990) is an English actor. He first gained recognition for playing James Cook in the British television series Skins (2009–2010, 2013). He is also known for his roles in This Is England (2006), the slasher film Eden Lake (2008), the television dramas Dive (2010) and United (2011), and the Netflix Wild West miniseries Godless (2017), for which he received a Critics' Choice Television Award nomination. O'Connell gave critically acclaimed performances in the independent films Starred Up (2013) and '71 (2014), garnering nominations for the British Independent Film Awards. He subsequently starred as war hero Louis Zamperini in the war film Unbroken (2014) and received the BAFTA Rising Star Award. He has since starred in the thriller Money Monster (2016), the biographical drama Trial by Fire (2018), the BBC miniseries The North Water (2021), the BBC series SAS: Rogue Heroes (2022–2025), the Amy Winehouse biographical film Back to Black (2024) and the period horror film Sinners (2025). Description above from the Wikipedia article Jack O'Connell, licensed under CC-BY-SA, is a full list of contributors on Wikipedia.
A psychological thriller centered on the Bowden family, whose peaceful life is shattered when Max Cady, a violent ex-convict they once knew, is released from prison and begins a calculated campaign of terror against them. Cady, intelligent and methodical, insinuates himself into their world through subtle intimidation and psychological manipulation, targeting the family's vulnerabilities and secrets. As the threat escalates from veiled menace to overt violence, the family must confront their own moral failings while fighting for survival. The story explores themes of guilt, justice, and the thin line between civilization and savagery. Cady's relentless pursuit forces the Bowdens to abandon their comfortable suburban existence and descend into primal desperation. The narrative builds to a climactic confrontation where the family must decide how far they'll go to protect themselves, blurring the distinction between victim and perpetrator. The film examines how trauma and fear can corrupt even good people, and how the past inevitably catches up with us.
