Age: 33
female
Jessica Green, was born on February 11, 1993, in Tasmania, Australia. With her striking blue eyes and a height of 5’9" (1.75 m), she has made a significant impact in the entertainment industry. In her early career, she appeared in minor roles in films such as Peter Pan (Universal Pictures) and Aqua Marine (Fox). However, her breakthrough came in 2013 when she secured the lead role of “KIKI” in the Jonathon M. Shiff production LIGHTNING POINT (also known as Alien Surf Girls). This role required her to surf and ride horses, showcasing her versatility. Jessica continued to make her mark in the industry with film appearances. Notably, she played ‘Rebecca’ in the Australian action-thriller RED BILLABONG (Sparke Films) in 2016. Her talent and dedication also led her to a role in PIRATES OF THE CARIBBEAN: Dead Men Tell No Tales (Disney). In 2017, Jessica portrayed Cleopatra in ROMAN EMPIRE (Netflix) and Lexx in ASH VS EVIL DEAD (Starz), further establishing her presence on the international stage. However, her most iconic role to date is that of ‘TALON’ in THE OUTPOST, a fantasy adventure series that aired on The CW Network and NBCU SYFY channels. Jessica performed her own stunts, including wire work, demonstrating her mixed martial arts, horse riding, and weapon skills.
Season three begins with Madison as a mid-card wrestler again, her championship lost, her reputation complicated by rumors about her mental health and reliability. She is living in a studio apartment, working a part-time job outside wrestling, and in intensive therapy. Dr. Mitchell is helping her understand what happened: that she was groomed and exploited, that she was not complicit in her own abuse but rather victimized by it. Keisha, who never left despite Madison's toxicity, becomes the foundation of her rebuilding. Together with Sarah Chen (the journalist) and James Holloway, Madison begins to piece together a larger pattern: Victor's exploitation isn't isolated or unique. He's one of many. The business is structured to protect predators and blame victims. Madison makes the terrifying decision to become a whistleblower. She gives her story to the journalists, knowing it will destroy her career in professional wrestling. The season follows the public fallout: the other wrestlers she worked with must choose whether to support her or protect their own positions, the company tries to discredit her, other victims come forward. By the series finale, Madison has lost wrestling but gained something more important: her autonomy back. She's not the woman who dreamed of being a champion — that dream has been revealed as hollow. But she's building something more real: a life defined by her own choices rather than others' exploitation. The final image is Madison, a year later, working as a trainer for young wrestlers, this time with the explicit commitment to protect them from the predatory systems she experienced.
