
Age: 56
female
Catherine Zeta-Jones, CBE, (born 25 September 1969) is a Welsh actress. She began her career on stage at an early age. After starring in a number of United Kingdom and United States television films and small roles in films, she came to prominence with roles in Hollywood movies such as the 1998 action film The Mask of Zorro and the 1999 crime thriller film Entrapment. Her breakthrough role was in the 2000 film Traffic, for which she earned her first Golden Globe Award nomination for Best Supporting Actress – Motion Picture. Zeta-Jones subsequently starred as Velma Kelly in the 2002 film adaptation of the musical Chicago, a critical and commercial success, and received an Academy Award, BAFTA Award, a Screen Actors Guild Award and was nominated for the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy. Later, she appeared in the 2003 romantic comedy film Intolerable Cruelty and 2004 crime comedy film Ocean's Twelve. Zeta-Jones landed the lead female role in the 2005 sequel of the 1998 film, The Legend of Zorro. She also starred in the 2008 biopic romantic thriller Death Defying Acts. In 2010, she won the Tony Award for Best Leading Actress in a Musical for her portrayal of Desiree in A Little Night Music. Description above from the Wikipedia article Catherine Zeta-Jones, licensed under CC-BY-SA, full list of contributors on Wikipedia.

A darkly funny, frightening novel about a young woman learning how to take what she wants from a witch who may be too good to be true, from the author of The Return . All her life, Annie has played it nice and safe. After being unceremoniously dumped by her longtime boyfriend, Annie seeks a fresh start. She accepts a teaching position that moves her from Manhattan to a small village upstate. She’s stunned by how perfect and picturesque the town is. The people are all friendly and warm. Her new apartment is dreamy too, minus the oddly persistent spider infestation. Then Annie meets Sophie. Beautiful, charming, magnetic Sophie, who takes a special interest in Annie, who wants to be her friend. More importantly, she wants Annie to stop apologizing and start living for herself. That’s how Sophie lives. Annie can’t help but gravitate toward the self-possessed Sophie, wanting to spend more and more time with her, despite the fact that the rest of the townsfolk seem…a little afraid of her. And like, okay. There are some things. Sophie’s appearance is uncanny and ageless, her mansion in the middle of the woods feels a little unearthly, and she does seem to wield a certain power…but she couldn’t be…could she?






