
Age: 32
female
Hannah Dakota Fanning (born February 23, 1994) is an American actress. She rose to prominence at the age of seven for her performance as Lucy Dawson in the drama film I Am Sam (2001), for which she received a Screen Actors Guild Award nomination at the age of eight, making her the youngest nominee in SAG history. Fanning played major roles as a child actress in the films Uptown Girls (2003), The Cat in the Hat (2003), Man on Fire (2004), War of the Worlds (2005), Dreamer (2005), and Charlotte's Web (2006), and the eponymous character in Coraline (2009). Fanning followed with more mature roles, playing Lewellen in Hounddog (2007), Lily in The Secret Life of Bees (2008), Cherie Currie in The Runaways (2010) and Jane in The Twilight Saga (2009–2012). Throughout the 2010s, she continued appearing in independent productions such as the dramas Now Is Good (2012) and Night Moves (2013), the comedy-drama Very Good Girls (2013), and the biographical film Effie Gray (2014). In 2018, she appeared in the heist comedy Ocean's 8 and had a starring role in the period drama series The Alienist. She has since portrayed Manson girl Squeaky Fromme in the Quentin Tarantino film Once Upon a Time in Hollywood (2019) and First Daughter Susan Ford in the Showtime biographical drama series The First Lady (2022).

A darkly funny, frightening novel about a young woman learning how to take what she wants from a witch who may be too good to be true, from the author of The Return . All her life, Annie has played it nice and safe. After being unceremoniously dumped by her longtime boyfriend, Annie seeks a fresh start. She accepts a teaching position that moves her from Manhattan to a small village upstate. She’s stunned by how perfect and picturesque the town is. The people are all friendly and warm. Her new apartment is dreamy too, minus the oddly persistent spider infestation. Then Annie meets Sophie. Beautiful, charming, magnetic Sophie, who takes a special interest in Annie, who wants to be her friend. More importantly, she wants Annie to stop apologizing and start living for herself. That’s how Sophie lives. Annie can’t help but gravitate toward the self-possessed Sophie, wanting to spend more and more time with her, despite the fact that the rest of the townsfolk seem…a little afraid of her. And like, okay. There are some things. Sophie’s appearance is uncanny and ageless, her mansion in the middle of the woods feels a little unearthly, and she does seem to wield a certain power…but she couldn’t be…could she?






