Age: 38
female
Ana Celia de Armas Caso (Spanish pronunciation:[ˈana ˈselja ðe ˈaɾmas ˈkaso]; born 30 April 1988) is a Cuban, American and Spanish actress. She began her career in Cuba with a leading role in the romantic drama Una rosa de Francia (2006). At 18, she moved to Madrid, Spain, and starred in the popular drama El Internado (2007–2010). After moving to Los Angeles, de Armas had English-speaking roles in the psychological thriller Knock Knock (2015) and the comedy-crime film War Dogs (2016). De Armas rose to prominence for her roles as the holographic AI Joi in the science fiction film Blade Runner 2049 (2017) and nurse Marta Cabrera in the mystery film Knives Out (2019), receiving a Golden Globe Award nomination for Best Actress – Motion Picture Comedy or Musical. She then played Bond girl Paloma in the James Bond film No Time to Die (2021) and actress Marilyn Monroe in the biographical drama Blonde (2022), for which she became the first Cuban nominated for the Academy Award for Best Actress. She then led the action thriller Ballerina (2025), a spin-off instalment in the John Wick franchise. Description above from the Wikipedia article Ana de Armas, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Dominic was staring at me like he couldn’t decide whether to chop me into pieces or pull my hair and French kiss me. Dominic I got her fired. Okay, so I’d had a bad day and took it out on a bystander in a pizza shop. But there’s nothing innocent about Ally Morales. She proves that her first day of her new job… in my office… after being hired by my mother. So maybe her colorful, annoying, inexplicably alluring personality brightens up the magazine’s offices that have felt like a prison for the past year. Maybe I like that she argues with me in front of the editorial staff. And maybe my after-hours fantasies are haunted by those brown eyes and that sharp tongue. But that doesn’t mean that I’m going to be the next Russo man to take advantage of his position. I might be a second-generation asshole, but I am not my father. She’s working herself to death at half a dozen dead-end jobs for some secret reason she doesn’t feel like sharing with me. And I’m going to fix it all. Don’t accuse me of caring. She’s nothing more than a puzzle to be solved. If I can get her to quit, I can finally peel away all those layers. Then I can go back to salvaging the family name and forget all about the dancing, beer-slinging brunette. Ally Ha. Hold my beer, Grumpy Grump Face.
