Age: 64
male
Alexandre Michel Gérard Desplat (French:[alɛksɑ̃dʁ dɛspla]; born 23 August 1961) is a French film composer and conductor. He has received numerous accolades, including two Academy Awards, three BAFTA Awards, two Golden Globe Awards, and two Grammy Awards. Desplat was made an Officer of the Ordre national du Mérite and a Commander of the Ordre des Arts et des Lettres both in 2016. Desplat has received two Academy Awards for Best Original Score for The Grand Budapest Hotel (2014) and The Shape of Water (2017). He was Oscar-nominated for The Queen (2006), The Curious Case of Benjamin Button (2008), Fantastic Mr. Fox (2009), The King's Speech (2010), Argo (2012), Philomena (2013), The Imitation Game (2014), Isle of Dogs (2018), and Little Women (2019). Desplat has composed scores for a wide range of films, including low-budget independent productions and large-scale blockbusters, such as The Golden Compass (2007), The Twilight Saga: New Moon (2009), Harry Potter and the Deathly Hallows – Part 1 (2010) & Part 2 (2011), Moonrise Kingdom (2012), Zero Dark Thirty (2012), Godzilla (2014), Unbroken (2014), The French Dispatch (2021), Guillermo del Toro's Pinocchio (2022) and Jurassic World Rebirth (2025). He has collaborated with directors such as Wes Anderson, Chris Weitz, Terrence Malick, George Clooney, Roman Polanski, Guillermo del Toro and Gareth Edwards. Description above from the Wikipedia article Alexandre Desplat, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Alexandre Desplat
Composer
for Composer in Buster Keaton: The Great Stone Face.
Suggested by nitrogencake
Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian, and filmmaker. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face". Working with independent producer Joseph M. Schenck and filmmaker Edward F. Cline, Keaton made a series of successful two-reel comedies in the early 1920s, including One Week (1920), The Playhouse (1921), Cops (1922), and The Electric House (1922). He then moved to feature-length films; several of them, such as Sherlock Jr. (1924), The General (1926), Steamboat Bill, Jr. (1928), and The Cameraman (1928), remain highly regarded. The General is viewed as his masterpiece.
