Age: 65
male
Richard Linklater (/ˈlɪŋkleɪtər/; born July 30, 1960) is an American filmmaker. He is known for making films that deal thematically with suburban culture and the effects of the passage of time. In 2015, Linklater was included on the annual Time 100 list of the most influential people in the world. His films include the comedies Slacker (1990) and Dazed and Confused (1993); the Before trilogy of romance films: Before Sunrise (1995), Before Sunset (2004), and Before Midnight (2013); the music-themed comedy School of Rock (2003); the adult animated films Waking Life (2001), A Scanner Darkly (2006), and Apollo 10½: A Space Age Childhood (2022); the coming-of-age drama Boyhood (2014); the comedy film Everybody Wants Some!! (2016); and the romantic comedy Hit Man (2023). Many of Linklater's films are noted for their loosely structured narratives. The Before trilogy and Boyhood both feature the same actors filmed over an extended period of years. He has received five Academy Award nominations and won the Silver Bear for Best Director for Before Sunrise. He also won a Golden Globe Award for directing Boyhood. Description above from the Wikipedia article Richard Linklater, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Richard Linklater
Writer
for Writer in Browned Out: The Barry Brown Story
Suggested by kamsismith
In "Browned Out: The Barry Brown Story," we delve into the tumultuous life and enduring legacy of Donald Barry Brown, a prodigiously talented actor, playwright, and author who burned brightly but briefly in the 1970s Hollywood scene. With his sharp intellect, piercing charisma, and unmatched ability to bring literary characters to life, Brown captivated audiences in films like Daisy Miller, where his portrayal of Frederick Winterbourne remains a masterclass in nuanced acting. But behind his polished exterior was a man wrestling with profound inner turmoil. The biopic offers a kaleidoscopic journey through the paradoxes of Brown's life—his passion for art and literature clashing with the crushing pressures of an industry that couldn't fully appreciate his sensitivity. From the sets of Peter Bogdanovich's films, where he was hailed for his intelligence and authenticity, to the quiet isolation of his writing desk, where he sought refuge in his own stories, the film reveals a man whose genius was both his gift and his burden. As Brown navigates the allure and pitfalls of fame, the story explores his relationships: with his contemporaries, who admired his talent but struggled to connect with his intensity; with his family, particularly his younger sister Marilyn Brown, whose own struggles mirrored his; and with himself, as he sought meaning in an often superficial world.
