Age: 34
male
Austin Robert Butler (born August 17, 1991) is an American actor. Butler began his career on television, first in roles on Disney Channel and Nickelodeon, most notably on Zoey 101 (2007–2008), and later on teen dramas, including recurring parts on The CW's Life Unexpected (2010–2011) and Switched at Birth (2011–2012). He gained recognition for starring in The Carrie Diaries (2013–2014) and The Shannara Chronicles (2016–2017). Butler made his Broadway debut in the 2018 revival of The Iceman Cometh and portrayed Tex Watson in Quentin Tarantino's film Once Upon a Time in Hollywood (2019). Butler gained wider prominence for his portrayal of Elvis Presley in Baz Luhrmann's Elvis (2022), for which he won the Golden Globe and BAFTA Award and was also nominated for the Academy Award for Best Actor. Time magazine named him one of the 100 most influential people in the world in 2023. He has since starred as Gale Cleven in the war drama miniseries Masters of the Air (2024) and Feyd-Rautha Harkonnen in the science fiction film Dune: Part Two (2024). Description above from the Wikipedia article Austin Butler, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Bright Young Women by Jessica Knoll is a psychological thriller inspired by the real-life crimes of Ted Bundy. The novel follows Pamela Schumacher, the president of a Florida sorority, whose life is shattered when a serial killer attacks her house, brutally murdering two of her sisters. In the aftermath, Pamela becomes determined to seek justice and expose the failures of law enforcement, who often underestimate women’s intelligence and resilience. Parallel to Pamela’s story, the novel also follows Tina, a woman in the Pacific Northwest whose best friend disappeared under similar circumstances. As their paths intersect, they unravel the horrifying truth behind the charming but monstrous man responsible. Through its gripping narrative, Bright Young Women critiques the way society romanticizes killers while sidelining the stories of the women they destroy. It’s a powerful exploration of survivor strength, media bias, and systemic misogyny.
