Age: 29
female
Kathryn Love Newton (born February 8, 1997) is an American actress. She is known for her starring roles as Louise Brooks in the CBS comedy series Gary Unmarried (2008–2010), Abigail Carlson in the HBO mystery drama series Big Little Lies (2017–2019), and Allie Pressman in the Netflix teen drama series The Society (2019). She is also known for portraying the older versions of Claire Novak in The CW dark fantasy series Supernatural (2014–2018) and Joanie Clark in the AMC period drama series Halt and Catch Fire (2016–2017). Newton has appeared in various films, including Bad Teacher (2011), Three Billboards Outside Ebbing, Missouri (2017), Blockers (2018), Pokémon Detective Pikachu (2019), Freaky (2020), The Map of Tiny Perfect Things (2021), Ant-Man and the Wasp: Quantumania (2023), and Abigail (2024). For her role in the horror film Paranormal Activity 4 (2012), Newton received the Young Artist Award for Best Leading Young Actress in a Feature Film. Description above from the Wikipedia article Kathryn Newton, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Kathryn Newton
Pamela Schumacher
for Pamela Schumacher in Bright Young Women
Suggested by liacrichton
Bright Young Women by Jessica Knoll is a psychological thriller inspired by the real-life crimes of Ted Bundy. The novel follows Pamela Schumacher, the president of a Florida sorority, whose life is shattered when a serial killer attacks her house, brutally murdering two of her sisters. In the aftermath, Pamela becomes determined to seek justice and expose the failures of law enforcement, who often underestimate women’s intelligence and resilience. Parallel to Pamela’s story, the novel also follows Tina, a woman in the Pacific Northwest whose best friend disappeared under similar circumstances. As their paths intersect, they unravel the horrifying truth behind the charming but monstrous man responsible. Through its gripping narrative, Bright Young Women critiques the way society romanticizes killers while sidelining the stories of the women they destroy. It’s a powerful exploration of survivor strength, media bias, and systemic misogyny.
