Age: 52
female
Elizabeth Banks (born February 10, 1974) is an American actress, producer and director. She is known for playing Effie Trinket in The Hunger Games film series (2012–2015) and Gail Abernathy-McKadden in the Pitch Perfect film series (2012–2017). She made her directorial film debut with Pitch Perfect 2 (2015), whose $69 million opening-weekend gross set a record for a first-time director. She went on to direct, write, produce, and star in the action comedy film Charlie's Angels (2019). She also directed and produced the horror comedy film Cocaine Bear (2023). Banks founded the film and television production company Brownstone Productions in October 2002, with her husband Max Handelman. Banks made her film debut in the low-budget independent film Surrender Dorothy (1998). She has appeared in the films Wet Hot American Summer (2001), Sam Raimi's Spider-Man trilogy (2002–2007), The 40-Year-Old Virgin (2005), Invincible (2006), Zack and Miri Make a Porno (2008), Role Models (2008), The Next Three Days (2010), Man on a Ledge (2012), Movie 43 (2013), The Lego Movie (2014) and its 2019 sequel, Love & Mercy (2014), Walk of Shame (2014), Magic Mike XXL (2015), Power Rangers (2017), and The Beanie Bubble (2023).
Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small-town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
