Age: 78
female
Bernadette Peters (born February 28, 1948) is an American actress, singer, and children's book author. Over a career spanning five decades, she has starred in musical theatre, television and film, performed in solo concerts and released recordings. She is a critically acclaimed Broadway performer, having received seven nominations for Tony Awards, winning two (plus an honorary award), and nine nominations for Drama Desk Awards, winning three. Four of the Broadway cast albums on which she has starred have won Grammy Awards. Regarded by many as the foremost interpreter of the works of Stephen Sondheim, Peters is particularly noted for her roles on the Broadway stage, including in the musicals Mack and Mabel (1974), Sunday in the Park with George (1984), Song and Dance (1985), Into the Woods (1987), The Goodbye Girl (1993), Annie Get Your Gun (1999), Gypsy (2003), A Little Night Music (2010), Follies (2011), and Hello, Dolly! (2018). Peters first performed on the stage as a child and then a teenaged actress in the 1960s, and in film and television in the 1970s. She was praised for this early work and for appearances on The Muppet Show, The Carol Burnett Show and in other television work, and for her roles in films including Silent Movie, The Jerk, Pennies from Heaven and Annie. In the 1980s, she returned to the theatre, where she became one of the best-known Broadway stars over the next three decades. She also has recorded six solo albums and several singles, as well as many cast albums, and performs regularly in her own solo concert act. Peters continues to act on stage, in films and on television in such series as Smash and Mozart in the Jungle. She has been nominated for three Emmy Awards and three Golden Globe Awards, winning once. Description above from the Wikipedia article Bernadette Peters, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Bernadette Peters
Sally Goode
for Sally Goode in Book Lovers - A novel by Emily Henry
Suggested by ms_mosel
Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small-town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
