Age: 48
male
Matthew Goode (born 3 April 1978) is an English actor. He made his screen debut in 2002 with ABC's TV film feature Confessions of an Ugly Stepsister. His breakthrough role was in the romantic comedy Chasing Liberty (2004), for which he received a nomination at Teen Choice Awards for Choice Breakout Movie Star – Male. He then appeared in a string of supporting roles in films like Woody Allen's Match Point (2005), the German-British romantic comedy Imagine Me and You (2006), and the period drama Copying Beethoven (2006). He won praise for his performance as Charles Ryder in Julian Jarrold's adaptation of Evelyn Waugh's Brideshead Revisited (2008), and as Ozymandias in the American neo-noir superhero film Watchmen (2009), based on the comics by Alan Moore and Dave Gibbons. He then starred in romantic comedy Leap Year (2010) and Australian drama Burning Man (2011), the latter earning him a nomination for Best Actor at the Film Critics Circle of Australia Awards. Other notable film roles include The Lookout (2007), A Single Man (2009), Cemetery Junction (2010), Stoker (2013), Belle (2013), The Imitation Game (2014) and Self/less (2015). As well as appearing in films, Goode has appeared in numerous television shows. His most notable television roles include Henry Talbot in the final season of historical drama Downton Abbey, and Finley "Finn" Polmar in the CBS legal drama The Good Wife. He also had a lead role in the critically acclaimed British mini-serial Dancing on the Edge, as music journalist Stanley Mitchell. In 2017, Goode portrayed Antony Armstrong-Jones, 1st Earl of Snowdon in the Netflix biographical drama series The Crown, for which he received a Primetime Emmy Award nomination for Outstanding Guest Actor in a Drama Series. As of 2018, he stars in Sky One's fantasy-romance series, A Discovery of Witches, as Professor Matthew Clairmont.
Matthew Goode
Charlie Lastra
for Charlie Lastra in Book Lovers - A novel by Emily Henry
Suggested by iamdea
Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small-town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
