Age: 47
female
Kate Garry Hudson (born April 19, 1979) is an American actress. She has received several accolades, including a Golden Globe Award and a nomination for an Academy Award. Born to singer Bill Hudson and actress Goldie Hawn, Hudson made her film debut in the 1998 drama Desert Blue, which was followed by supporting roles in several films. She rose to prominence with her portrayal of Penny Lane in Cameron Crowe's musical drama Almost Famous (2000), for which she won a Golden Globe for Best Supporting Actress and received an Oscar nomination in the same category. Throughout the 2000s, Hudson starred in a succession of romantic comedies, most notably in How to Lose a Guy in 10 Days (2003), You, Me and Dupree (2006), Fool's Gold (2008), and Bride Wars (2009). On television, she had a recurring role in the musical series Glee (2012–2013) and a starring role in the second season of Truth Be Told (2022). Her other film credits include The Skeleton Key (2005), Nine (2009), Rock the Kasbah (2015), Deepwater Horizon (2016), Mother's Day (2016), Music (2021), and Glass Onion (2022). Hudson is a co-founder of the fitness brand and membership program Fabletics, operated by TechStyle Fashion Group. She is also the author of the non-fiction books Pretty Happy: Healthy Ways to Love Your Body (2016) and Pretty Fun: Creating and Celebrating a Lifetime of Tradition (2017).
Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
