Age: 67
male
Henry Czerny (/ˈtʃɛərni/ CHAIR-nee; born February 8, 1959) is a Canadian stage, film, and television actor. He is known for his roles in the films The Boys of St. Vincent, Clear and Present Danger, The Ice Storm, The Exorcism of Emily Rose, Fido, Remember, Ready or Not, and Scream VI, in particular for his role as Eugene Kittridge in Mission: Impossible, Mission: Impossible – Dead Reckoning Part One, and Mission: Impossible – The Final Reckoning, as well as for numerous television programs in both guest and starring roles, including a regular role as Conrad Grayson on the ABC primetime soap opera Revenge, a loose adaptation of The Count of Monte Cristo. Czerny has received the Theatre World Award and two Gemini Awards and was nominated for the Canadian Screen Award for Best Supporting Actor for his performance in The Other Half. Description above from the Wikipedia article about Henry Czerny, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
