
Age: 51
male
José Pedro Balmaceda Pascal (Spanish: [xoˈseˈpeðɾo βalmaˈseða pasˈkal]; born April 2, 1975) is a Chilean and American actor. After nearly two decades of taking small roles on stage and television, Pascal had his breakout role as Oberyn Martell in the fourth season of the HBO fantasy series Game of Thrones (2014). He gained further prominence with his portrayal of Javier Peña in the Netflix crime series Narcos (2015–2017). He went on to appear in the films The Great Wall(2016), Kingsman: The Golden Circle (2017), The Equalizer 2 (2018), and Triple Frontier (2019). Pascal's leading roles as Din Djarin in the Disney+ science fiction series The Mandalorian (2019–2023) and Joel Miller in the HBO post-apocalyptic drama series The Last of Us (2023–present) propelled him to international stardom, earning him a reputation for portraying adoptive father figures. For the latter role, he received numerous accolades, including a Screen Actors Guild Award and nominations for a Golden Globe Award and Primetime Emmy Award. He also portrayed parental characters in We Can Be Heroes (2020), Strange Way of Life (2023), and The Wild Robot (2024). Pascal has also starred in the big-budget films Wonder Woman 1984 (2020) and Gladiator II (2024). He plays Reed Richards / Mister Fantastic in the Marvel Cinematic Universe, beginning with The Fantastic Four: First Steps (2025). Active in theatre since 1999, he made his Broadway debut as Edmund in a 2019 adaptation of King Lear. In 2023, Time Magazine named him one of the 100 most influential people in the world. Description above from the Wikipedia article Pedro Pascal, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.






